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How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static? Revisions is a unique exploration of all of these questions.
Select short, experimental films from around the world that were featured in Experiments in Cinema V4.2 film festival (see www.basementfilms.org and click on Experiments in Cinema button for more information on this annual New Mexico based film festival). Note that all proceeds will be invested in ensuring the success of next year's festival.
To celebrate 10 years of covering unusual films and filmmakers, Cinemad magazine presents a compilation of short films that defy simple categorization. An accompanying 60 page booklet includes interviews with each filmmaker.
The island of Sylt, one of the most beautiful islands of northern Germany, is in danger. Rising sea levels, successive storms and constant winds announce its disappearance. Man answers back with frenetic and obsessive gestures. But how do you save nature
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches.
Maya Deren takes us on a journey into the fascinating world of the Voudoun religion, whose devotees commune with the cosmic powers through invocation, offerings, song and dance. The Voudoun pantheon of deities, or loa, is witnessed as being living gods an
Of course Peters the filmmaker blurs the individual of the same name with his dense textual and visual
system of symbols to create something else: Jan Peters the fictional character.
(Claus Löser)
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
Cet ouvrage présenté sous forme d’abécédaire, apparemment composite, est à parcourir comme le journal de bord d’un cinéphile, amateur de cinéma expérimental qui, au gré des époques et des supports, au gré des programmations, a tracé une voie (à poursuivre et à élargir) proposant des approches du cinéma d’avant-garde et expérimental.
Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and t
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