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To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's v
\"Le révélateur is a silent film. A couple and their child flee in the face of an unknown, but still cinsiderable menace. A film with neither laughter nor mutterings.In a desolate landscape, full of humidity and huliliation, we see the weakest of beings s
À la fin du XIXe siècle, la naissance de la ville moderne, c'est-à-dire la ville électrifiée, coïncide avec l'apparition du cinéma. Circulation des tramways et des métros qui sillonnent les rues et abolissent les distances, lumières des néons et des vitri
Birgit Hein belongs to the filmmakers who have had a lasting influence on the history and the present scene of the experimental film. In addition to her films she wrote a number of critical texts that, since the 1970’s, helped to establish in the consciousness of a public, interested in art and film, the genre of experimental film. Birgit Hein argues that film work is impossible without a notion of the actual possibilities and purposes of the film medium, and that every single film project must be based on this general idea.
Joel Schlemowitz is a wizard of cinema, and this collection of short experimental films is a marvel to behold. Each piece is a unique gem -- quirky, provocative, playful, often handmade, and always daring
Lisl Ponger´s photographic and cinematic work investigates the circumstances of places and their territorial occupation by the camera, the acquisation of images, the function of photographic and cinematic representation, and the presentation of cultural v
Film as Film: The Collected Writings of Gregory J. Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.
Edited by Mark Webber, with a foreword by P. Adams Sitney
Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
Helen Hill (1970-2007) was a filmmaker and activist raised in Columbia, South Carolina and settled in New Orleans, Louisiana. She studied Experimental Animation at Harvard and California Institute of the Arts. She taught film workshops wherever she went,
Solomon Nagler’s film work twists and turns through the uncanny topological spaces between abstraction and representation, negation and affirmation, place and placelessness. Allegorical by design, Nagler’s vision is composed of fragments of recognizable r
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