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Without J.X. Williams, the face of contemporary cinema would not be the same. His shadowy influence turns up in Tarantino, Scorsese, Kubrick, and even Godard again and again like a bad penny. Despite the best efforts of Hollywood to keep its most notoriou
In this frank and provocative conversation, Thom Andersen and William E. Jones explore an expansive number of topics in relation to their respective film and art practices, among them: the advent of HD technology, experimental filmmakers and their strategies, Los Angeles, “militant nostalgia,” Jesus as revolutionary, the limitations of the art world, art criticism, gay culture, William Morris, and “the Reagans at church.”
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre).
“The first comprehensive biography of this hipster magus . . . [John Szwed] allows different sides of Smith’s personality to catch blades of sun. He brings the right mixture of reverence and comic incredulity to his task.” —Dwight Garner, The New York Times
Grammy Award–winning music scholar and celebrated biographer John Szwed presents the first biography of Harry Smith, the brilliant eccentric who transformed twentieth century art and culture.
One of the traditional tasks of the film avant-garde is to show what cinema is capable of when it is released from literary stories, from narration: how to interweave seemingly unrelated pictures, how to convert outer and inner spaces into a synthetic, un
A DVD release celebrating the extraordinary young video and electronic music scene in Austria. These are radical avant-garde works that emerge logically from modern electronic music. The images sometimes tie in with the earliest pure abstract avant-garde
With his sensitive awareness, Neuwirth, got hold of dream-like pictures, which in his words, he allows to clatter, make loud noises, hum, thunder and sing.
(media biz)
In this broad sampling of works, Bulgarian-born, Vienna-based Mara Mattuschka playfully moves through motherhood to monster flicks where an alien, out on the town, wreaks havoc of epic proportions. Androgynous star Mimi Minus infuses mischievous humor and strange wisdom into the existence of Mattuschka´s characters.
Bill’s films blur the difference between documentary and personal filmmaking and create a time-capsule of the subtle changes of the North American landscape.
Poetry. African American studies. Confrontative, meditative, and sensuous, FORBIDDEN ACTS, a film by Todd Herman, showcases three poems by black disabled advocate and writer Leroy Moore. Herman\'s provocative imagery seamlessly intertwines with Moore\'s e
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