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In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, an
Born in Lithuania in 1922, Jonas Mekas has made over 80 films, videos and installations since his arrival in New York in 1949. Each piece is inventoried and accompanied by an image, a list of public collections and distributors, the technical data and one or several short texts summarizing the content of the work.
The aims of this book are twofold: on the one hand, based on archival research, it seeks to identify the status of film and of the moving image in the field of contemporary art in French-speaking Switzerland and abroad; on the other hand, it aims at assessing the influence of exhibition contexts on a multiplicity of film practices (on their temporal aspects, the multiplication of surfaces of projection, the reception by a mobile spectator).
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation?
This book is a collection of newly commissioned essays by established and emerging scholars that maps out the current landscape of experimental cinema studies and sets agendas for future work in the field. Introducing new critical methodologies and calling overdue attention to neglected artists, regions, and topics, the contributions to this volume reassess and reassert experimental cinema as a site of formal exploration and interrogation as well as resistance to institutional, political, and social norms.
DVD featuring a feature and 3 short films from the inimitable Igor and Ivan Buharov
35mm 1963 82'
A film by Adolfas Mekas with Peter H. Beard, Marty Greenbaum, Sheila Finn, Peggy Steffans, Jerome Hill, Taylor Mead. Camera: Ed Emshwiller. Assistant: Jonas Mekas. Editing: Adolfas Mekas. Music: Meyer Kupferman.
Adolfas Mekas, born in Lithuania, arrived in the United States with his brother Jonas in 1949. They founded Film Culture, the magazine of independent cinema, in 1954. Adolfas Mekas's Hallelujah the Hills bears witness to his knowledge and love of cinema, as well as the immense freedom to be found in all the films of the New American Cinema.
This work is based on some excerpts of the film "Instabile Materie" which I realized in 1995. Sorce material were handprocessed 16mm film stripes which I covered with chemicals. In this so called "chemograms" the used substances mostly salts became moulding shapes. Years later I digitized parts of the film frame by frame in high resolution and started with the computer to slow down the speed just to analyse the sequence of events. So arose a morphology of the film emulsion with the embeded substances and a bizarre, strange world full of magic revealed.
Contains Rumpelstilzchen (1989), Passion (1989-90) and Zillertal (1991)
Contains Das goldene Tor (1992), Ein bewährter Partner (1993) and Chicago (1996).
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