With the support of the Gordon Matta-Clark Estate and Electronic Arts Intermix, Anthology hosts two programs showcasing the films of the anarchitectural pioneer Gordon Matta-Clark. The screenings draw a link between Matta-Clark’s famed “building cuts” and the cinematic apparatus that’s documented in these films, concerned as they are with the metaphorical meaning of the “cut” and the possibilities discovered when light contaminates a new plane.

Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise, in collaboration with Zyanya Yax, saxophones, and Chino Ortega, bass. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Auditory roundabouts and redirections. Orphaned labels. Free-floating symbology. Saturated colors and the subtlest of tints. Jittery zooms, pans, and traversals. Glitches from crowdsourced data.

Real-time cartographic improvisations using projected, manipulated digital maps by Eric Theise, in collaboration with the ambient and noise soundscapes of vocalist Maria Del Carmen Camarena, bass player Eliud Ernandes, and guitarist Gustavo Larroyo. A visual wash of street grids, land masses, water bodies, and curiosities from built and natural environments. Auditory roundabouts and redirections. Orphaned labels. Free-floating symbology. Colors of jazz, Americana and Latin music. Jittery zooms, pans, and traversals.