Proyecciones

  • Tommy Becker: TAPE NUMBER ONE/ PASSING PERIODS

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    Local artist Tommy Becker is a poet/musician trapped in a camcorder. His never-ending saga, TAPE NUMBER ONE, blends poetics, performance, costuming, found footage, and hand-made props, creating pop songs that wrap subtle menace with humor.

    Fechas: 

    Viernes, Mayo 29, 2015 - 19:30

    Local: 

    Yerba Buena Center for the Arts - San Francisco, Estados Unidos
  • Light Industry: An Evening with Carolee Schneemann

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    Presented with The Artist's Institute

    Throughout her career, Carolee Schneemann has produced moving images on film and video intended as cinema, installation, and used as elements in her Kinetic Theater productions. Fuses, Viet-Flakes, and Plumb Line are united by her varied manipulations of the filmstrip, focus on intersubjective—and interspecies—relationships, and the intersection of emerging feminist politics with protest against the Vietnam War. Across all three, Schneemann explores the incorporation of visions other than her own into the space of film.

    Fechas: 

    Lunes, Mayo 4, 2015 - 19:30

    Local: 

    Light Industry - Nueva York, Estados Unidos
  • Kevin Jerome Everson: Sound That— Recent Short Films

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    Based on extensive historical research and embodying a strong sense of place, the films of Kevin Jerome Everson combine scripted and documentary moments with a rigorous formalism, with his filmic subjects inspired directly by gestures, tasks, and conditions of working class African American life.

    Fechas: 

    Miércoles, Mayo 20, 2015 - 19:30

    Local: 

    Yerba Buena Center for the Arts - San Francisco, Estados Unidos
  • Kevin Jerome Everson: The Island of St. Matthews

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    Based on extensive historical research and embodying a strong sense of place, the films of Kevin Jerome Everson combine scripted and documentary moments with a rigorous formalism, with his filmic subjects inspired directly by gestures, tasks, and conditions of working class African American life.

    Fechas: 

    Martes, Mayo 19, 2015 - 19:30

    Local: 

    Yerba Buena Center for the Arts - San Francisco, Estados Unidos
  • Close-Up Teaser Screening #7: Here Is Always Somewhere Else – The Disappearance Of Bas Jan Ader

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    For part six of our Teaser Screening series, writer, cultural critic and journalist Juliet Jacques will introduce a documentary on the life and work of artist Bas Jan Ader. The film will be followed by a selection of Ader's film and video works during which Jacques will read a short text relating to Bas Jan Ader's decision to cross the Atlantic on a 13ft boat.

    Fechas: 

    Jueves, Mayo 7, 2015 - De 21:00 hasta 23:30

    Local: 

    Close-Up Cinema - London, Reino Unido
  • Normal Animal: Steve Reinke + Stephanie Barber

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    In Steve Reinke’s newest long-form video, Rib Gets in the Way, the irreverent artist and essayist ruminates upon mortality, creative (and other) impulses, PrEP and Nietzsche. Assembling a free-form series of vignettes, the final and longest section of the video presents an animated children’s adaptation of Friedrich Nietzsche’s philosophical novel Thus Spoke Zarathustra (1883–85), with colorful creatures animated with frequent collaborator, Jessie Mott.

    Fechas: 

    Jueves, Abril 30, 2015 - 20:30

    Local: 

    Leslie Lohman: Prince Street Project Space - Nueva York, Estados Unidos
  • Xcèntric: Animación experimental norteamericana de los años ochenta

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    Una selección de películas de animación experimental de los Estados Unidos de los años ochenta. Las películas de Jane Aaron, Brady Lewis, Gary Schwartz y Al Jarnow juegan con el contraste entre animación y espacios reales, principalmente con técnicas de pixelación, con una intención experimental y lúdica. La trilogía City Scapes de Protovin y Backus es un retrato de observación documental de ciertos espacios de Manhattan, mezclando fotografía y animación. Las películas forman parte de la colección de la Biblioteca Pública de Nueva York, ciudad que fue uno de los focos importantes de la animación independiente de los años setenta y ochenta.

    Fechas: 

    De Jueves, Abril 30, 2015 - 20:00 hasta Viernes, Mayo 1, 2015 - 19:55

    Local: 

  • Lateral Thinking: Expanded Video Performance by Andrew Puls, Kit Young and viDEO sAVant

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    Electrons meet the orgone in this overflowing smorgasbord of live sound, hybrid analog/digital video jamming, feedback loop freak outs and robotic puppet show spectacle run amuck—promising to fill Cinematheque’s Center for New Music project space with performers, projectors and gadgets galore.

    Fechas: 

    Domingo, Mayo 3, 2015 - 19:30

    Local: 

    Center for New Music - San Francisco, Estados Unidos
  • Soundfigures: Films by Aura Satz

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    (Near) extinct technologies make sound visible in this program of shorts that delve into ideas of knowledge, memory, and communication. On a Chladni Plate, a device that marked the birth of acoustics, grains of sand, moving like Busby Berkeley dancers, form intricate patterns in response to changing sound frequencies, their shapes recalling the utopian quest for a “pure,” onomatopoeic alphabet. Wax cylinder recordings combine with modern scientific instruments to animate a text by Rainer Maria Rilke on the possibility of hearing the dead by playing their skulls with a gramophone needle. A histrionic voice-over, translated into a wave of small flames on a Ruben’s Tube, provokes unexpected associations, from the biblical burning bush to various acts of ventriloquism in pop culture...

    Fechas: 

    Miércoles, Mayo 13, 2015 - 19:30

    Local: 

    DIM Cinema - Vancouver, Canadá
  • Scratch Projection: Dominic Angerame

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    Born in 1949 in New York, Dominic Angerame teaches, lives and works in San Francisco. Since 1969, he has directed over thirty-five films screened and awarded in many festivals around the world. He teaches directing, cinematography and criticism at the University of Berkeley in California, San Francisco Art Institute and also acted as professor and associate artist in many institutions. He led for more than 30 years of Canyon Cinema distribution cooperative. His work is greatly influenced by the avant-garde cinema, particularly the 1920s and 1930s, and explores the cycle of destruction and construction imposed by man on his urban environment, constantly changing.

    Fechas: 

    Martes, Abril 28, 2015 - 20:30

    Local: 

    Studio des Ursulines - Paris, Francia

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