Proyecciones

  • Motion Over Pictures: Two Evenings of Fred Worden

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    The four decades of work that comprise avant-gardist Fred Worden’s cinematic explorations are a constantly evolving set of collisions (and collusions) involving images and abstractions that range from satirical jabs at the self-seriousness of experimental film culture, sincere tributes and contemplations of the medium, or pure jolts of pulsating visual energy—but most often, all of the above. Throughout his artistic life and career as a professor, Worden has found himself at the epicenter of creative communities on the west coast (where he graduated from CalArts and made early collaborations with Chris Langdon), the east coast (evidenced in his longtime friendships with the likes of Ken Jacobs and Ernie Gehr), and in between (as a member of the Criss-Cross artists group from Boulder).

    Fechas: 

    De Viernes, Diciembre 6, 2024 (Todo el día) hasta Sábado, Diciembre 7, 2024 (Todo el día)

    Local: 

    Spectacle Theater - Nueva York, Estados Unidos

  • Screening LAV #023: Entre Ser y Pasar, Doblar la Tela. Los Filmes de Hannes Schüpbach

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    Winter Feuer (Hannes Schüpbach, 2000)

    «Las composiciones de las películas, las ventanas de visión que encuadran las imágenes, nos conducen a un esplendor terrenal, pero como en la gran poesía, no conocemos el contexto. Más bien se diría que escapan a su contexto, siguiendo un camino sin asfaltar por el que se deambula, otorgando a las imágenes individuales de una gran autonomía [...] La pantalla no es una ventana abierta al mundo, sino una superficie de inscripción.»

    Fechas: 

    Sábado, Diciembre 7, 2024 - 21:30

    Local: 

    Círculo de Bellas Artes - Madrid, España

  • Xcèntric: Los pasadizos secretos. Apuntes sobre animación experimental

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    Wall (Takashi Ito, 1987)

    Al hilo de la reciente publicación de su ensayo Los pasadizos secretos para la colección «Breus del CCCB», la cineasta y programadora Elena Duque presenta un programa de animación experimental con piezas icónicas de diferentes estilos, épocas y procedencias, que dan una idea de la riqueza de este género. 

    Fechas: 

    Domingo, Noviembre 24, 2024 - 18:30

    Local: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, España

  • Lynne Sachs: For Narcisa Hirsch - Screening & Talk

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    Seguro que Bach cerraba su puerta cuando quería trabajar (Narcisa Hirsch, 1979)

    Lynne Sachs: For Narcisa Hirsch - Screening & Talk
    Followed by Hirsch’s double-projection Rumi
    Q&A w/ Lynne Sachs - In Person only

    Microscope is excited to welcome back to the gallery filmmaker and artist Lynne Sachs for a heartfelt tribute to Narcisa Hirsch in connection with Hirsch’s current exhibition at the gallery.

    Fechas: 

    Viernes, Noviembre 22, 2024 - 19:30

    Local: 

    Microscope Gallery - Nueva York, Estados Unidos

  • Temenos Verein - Film Screening

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    Gregory J. Markopoulos. Filmmaker, born in Toledo, Ohio, 1928, died in Freiburg im Breisgau 1992

    Sorrows 1969, 16mm, color, opt. sound. 6 min.
    “A powerful mood piece, it uses only the light and color emanating from the enclosed surroundings and selected objects… It evokes, without the presence of a single ‘living’ being, the reality of a life or lives, passing yet present, persistent, like a fragrance,reverberating with continued expectation. “ Kirk Winslow
    https://www.thetemenos.org/

    Fechas: 

    Sábado, Noviembre 23, 2024 - 12:00

    Local: 

    Kino Xenix - Zurich, Suiza

  • Ottomar Domnick: Jonas (1957)

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    A rare screening on 35mm of Ottomar Domnick’s 1957 little known avantgarde film. Visually informed by abstraction with a complex soundtrack mixing a poly-voiced commentary scripted by Hans Magnus Enzensberger with music by Duke Ellington and avantgarde composer Winfried Zillig, the film turns the increasing alienation and paranoia of a man in the urban reality of West Germany’s post war economic miracle into a profoundly Kafkaesque experience. Introduced by Martin Brady.

    Fechas: 

    Lunes, Noviembre 25, 2024 - 19:00

    Local: 

    Goethe-Institut London - London, Reino Unido

  • Sunset Seduction by Charles de Agustin

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    Sunset Seduction by Charles de Agustin, an evolving project centered on a 45-minute film alongside site-specific contracts and discussions, stars a liberal philanthropist yearning for his next fling with radical politics. A preview will be presented at Millennium Film Workshop on the evening of Saturday, December 7, 2024.

    Fechas: 

    Sábado, Diciembre 7, 2024 - 19:30

    Local: 

    Millennium Film Workshop - Nueva York, Estados Unidos

  • Bill Viola’s I Do Not Know What It Is I Am Like

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    East London Experimental Film Club presents:
    Bill Viola’s I Do Not Know What It Is I Am Like
    1986; Videotape, color, stereo sound; 89 min.

    Thursday 21st November, 19:00-22:00
    Tickets - pay what you can (suggested £7 admission / £5 concession)

    BOOK HERE: https://buytickets.at/eastlondonexperimentalfilmclub/1454848/r/expcinema

    Fechas: 

    Jueves, Noviembre 21, 2024 - 19:00

    Local: 

    Good Shepherd Studios - London, Reino Unido

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