Structures, Studies and 'Scapes: A 16mm Experimental Film Program is a free presentation of rare Avant-garde and experimental works from cinema history presented in their original 16mm film formats. The program features sound and silent art films by Abigail Child, Peter Hutton, Julie Murray, James Otis, and Emily Richardson.
Want a truly unique movie going experience? At the NFU Open Screening anyone who shows up and pays admission can show their short film (10 min. or less). It can be experimental or narrative, horror, comedy, ANYTHING! We'll show an hour of films with brief statements from the filmmakers. We'll also have popcorn and water (BYOB). Ground rules on the web site. See you there!
Presented by Emma Roufs, filmmaker and co-founder of la lumière collective, “Lumière sur Montréal expérimental” consists of a program of short films from the field of contemporary Montreal experimental cinema presented in France at: - Nantes - September 8 at MIRE - Paris - September 17 at BRAQUAGE - Marseille - September 24 at VIDEODROME
Visionary Cinema – My Personal Underground experimental films by Peter Conrad Beyer program 60 min
From the lighthouse on Hiddensee to the Mayas in Mexico and back to the - Hohe Meißner -, entering the empire of Mother Hulda. All short films are without dialogues and work exclusively with purely audiovisual means.
The 2022 edition of AVANT explores the Yugoslav avant-garde from the 60s and 70s and its legacies. AVANT opens at Kristinehamn Art Museum on Friday, September 23rd at 6.30 PM with three events.
Fechas:
De Viernes, Septiembre 23, 2022 (Todo el día) hasta Sábado, Septiembre 24, 2022 (Todo el día)
New Black Wave showcases films by Black filmmakers that push cinema's conceptual and aesthetic boundaries to explore deep-rooted emotions within the African Diaspora. Back for its second edition, the films in New Black Wave Vol. 2 remix public and personal archives to reveal new meanings within familiar images of Black life in America. We bear witness to the absolute and overwhelming freedom exhibited in Black expression and the ever-present power of Black culture. The show features brilliant films by Michèle Stephenson and Imani Dennison, Julie Dash, Ja'Tovia Gary, Paige Taul, Jenn Nkiru, Moïse Togo, and Darol Olu Kae. The screening will be followed by a discussion with filmmakers and curator and writer Taylor Renee Aldridge of the California African American Museum (CAAM).
After a two-year break LaborBerlin is looking forward to presenting a new edition of DIFFRAKTION, highlighting works from the Artist Film Workshop (AFW) of Melbourne, Australia, as well as the newest works from LaborBerlin members.
From Melbourne, filmmaker Lucas Haynes will be present, as along with most of the filmmakers from the LaborBerlin program. Florian Wüst, film curator, will guide through the evening.
(W)hole Earth is a programme dedicated to the displacement and distribution of matter. It constructs and maps a landscape that has calmly formed over millions of years and then disrupts it, observing the possibilities of creation and the impact on those closest to the stone (1). Not forgetting those of us elsewhere, it asks; what is left in the place of material loss? And what happens when we attend to the magnitude of its absence? (2)
Online free in the UK Monday 15 August 2022 19:00 for 48hrs.
Films included:
Fechas:
De Lunes, Agosto 15, 2022 - 19:00 hasta Miércoles, Agosto 17, 2022 - 19:00
ValdelOmarismos: Reflejos e interferencias de Bruno Varela es la segunda sesión del ciclo de cine expandido Laboratorio Desbordado,que tendrá lugar el 18 de agosto a las 19 horas en el Centro Cultural de España en México. En ValdelOmarismos, el artista mexicano Bruno Varela crea una experiencia audiovisible en tres actos:
I. In-pregnancia / Acción medial, cine expansivo
Sonorizado en vivo por Gabriel Elías y Marco Albert
A Body (sur)renders/Un Cuerpo (se)rinde is a psychophysical (term coined from my theater practice) hybrid film screening & live performance where images, audio and movement are intertwined for the audience to experience it as a single synchronized piece. The films included, shot over the past 4 years, are a testimony of many transitions in my life and where I manifest my identity as trans nonbinary. The performance pieces connect and expand the films to make my personal/artistic process a tangible experience for the audience. (This project was supported, in part, by a Foundation for Contemporary Arts Emergency Grant.)
