Eventos

  • Ken Jacobs in 3 Dimensions!

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    Return to the scene of the crime (Ken Jacobs, 2008)

    Ken Jacobs in 3 Dimensions!
    May 13-19. Book launch May 14th
    Anthology Film Archives, 32 Second Avenue New York, NY 10003

    As the 3-D craze continues to sweep through our nation’s multiplexes, we here at Anthology have seen fit to focus attention on an artist – one of the giants of avant-garde cinema – who has been exploring the possibilities of three-dimensional filmmaking since long before Hollywood dusted the process off and rebooted it for the purposes of high-powered distraction. Ken Jacobs’s experiments with the possibilities of illusionary depth stretch all the way back to the late 1960s, and in the last decade he has devoted himself to exploring the phenomenon, creating dozens of moving-image works, both shorts and features, that utilize various methods of producing three-dimensional effects. Standing in stark contrast to Hollywood’s efforts to squeeze some (any) kind of response out of jaded moviegoers benumbed by decades of big-budget spectacles, Jacobs’s profound fascination with the idea of filmic depth speaks to a commitment to expand our senses and our conception of the movie-watching experience – a conviction that the cinema can foster expanded perception, not just sensation.

    This series offers a very rare chance to experience an exhilarating variety of Ken Jacobs’s utterly original 3-D work. Featuring three nights of live Nervous Magic Lantern performances, a revival of a 35mm slide-based piece from the mid-1980s, and a host of short and feature-length 3-D pieces from throughout his career, these shows will survey a body of work which forms a conception of 3-D filmmaking undreamed of in the multiplexes!

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  • Oporto apresenta #23: You don't bring me flowers

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    Oporto apresenta #23: You don't bring me flowersOporto apresenta #23: You don't bring me flowers
    Friday, April 8th, 22:30h
    Oporto, Salvador Correia de Sá, 42, 2 frente, 1200-399 Lisboa

    "You don't bring me flowers"
    by Michael Robinson
    16mm film, colour, with optical sound, 8', 2005

    Since the beginning of this millennium, Michael Robinson has been making film and video as trigger-objects for basic emotions. His work is a compilation of complex riddles, trails leading to ambiguous regions, places meant for the hard task of feeling. His narratives are deeply sensorial, warranting themselves difficult to translate into words.
    Oporto is now presenting the film "You don't bring me flowers", a sublime diving experience into a succession of nostalgic images, centerfold pages from vintage National Geographic magazines.

    "on deep image reading and other symmetry laws" - Alexandre Estrela

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  • Blind Spot Skopje

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    Blind Spot SkopjeFrom 29th of March to 2nd of April 2011
    at Cultural Center creACTive (former Cultural Center CK)
    in Skopje, Macedonia

    In the realm of visuality, the concept of the blind spot defines the space of the non-visible. In the process of observing the city, certain views dissolve, thereby revealing elements of construction in both urban space and human perception. As a temporal platform in Skopje, Macedonia, Blind Spot Skopje presents cinematic and discursive positions of self- and outside perception regarding urban space and its blank spots. The exhibition, theoretical discourses, and a film project, that explores urban spaces in Skopje, condense into a map with known and unknown coordinates interfering with each other and being re-arranged by various artistic strategies.

    A project by Marte Kiessling, Stephanie Sarah Lauke, Vanessa Nica Mueller and Wiebke Stadler.

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  • Close-Up: '16' – 16 Films, 16 Filmmakers, 16mm

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    Close-Up: '16' – 16 Films, 16 Filmmakers, 16mmClose-Up: '16' – 16 Films, 16 Filmmakers, 16mm
    Saturday April 30, 18h. Doors open at 17:45h
    The Working Men’s Club, 44-46 Pollard Row, London E2 6NB
    £12/£9 to Close-Up members

    Following the recent announcement that Soho Film Lab is to discontinue the printing of 16mm films, Close-Up is organising a very special evening of films, talks and interventions by filmmakers to provide an opportunity for filmmakers and non-filmmakers alike to join us and discuss the future of 16mm. The 4-hour programme will be a lively compendium of diversity that will illustrate the richness of the medium, followed by music and drinks till late…

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  • Dvblog screening

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    Since the summer of 2005 DVblog http://www.dvblog.org/ has been an online resource for art & entertainment movies in QuickTime format.

    Saturday 26th March will see an offline manifestation of DVblog. A 45 minute programme of artists moving image will be screening continuously at The Museum of Club Culture from 1pm - 5pm

    Fechas: 

    De Sábado, Marzo 26, 2011 - 13:00 hasta Domingo, Marzo 27, 2011 - 16:55

    Local: 

    The Museum of Club Culture - Hull, Reino Unido
  • Images of Nature, or The Nature of the Image: Canadian Artists at Work

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    Light Magic (Izabella Pruska-Oldenhof, 2001)Images of Nature, or The Nature of the Image: Canadian Artists at Work
    Wednesday March 23, 19h
    TIFF Bell Lightbox
    Reitman Square, 350 King Street West
    Toronto, Ontario, M5V 3X5

    Fechas: 

    De Miércoles, Marzo 23, 2011 - 19:00 hasta Jueves, Marzo 24, 2011 - 18:55

    Local: 

    TIFF Bell Lightbox - Toronto, Canadá
  • Directors Lounge: Seppo Renvall. Times, Songs and Material

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    Woody (Seppo Renvall, 2003)Directors Lounge: Seppo Renvall. Times, Songs and Material
    Thursday March 24th, 21h
    Z Bar
    Bergstraße 2, Berlin-Mitte, Berlin, Germany

    "High mental quality, feeling quality and situation quality. But not technical qualities, there are no sharp images, there was no tripod used or anything, everything is kind of shaky. I like that very much.“ (Seppo Renvall about FILM19999)
    "A few more words must be said about the emergence of the everyday (in Seppo Renvall's films). For Renvall has taken up a very particular kind of challenge here, one that has motivated filmmakers at least since the 1920's, the challenge of transmuting the banality of the quotidian world into epiphany. … Now in a new century, Seppo Renvall is one of those contemporary artists who lead the way toward a new documentary horizon." (Michael Renov, 2002)

    Curated by Klaus W. Eisenlohr
    With support from Suomesta Galerie, Berlin

    http://www.directorslounge.net/
    http://www.z-bar.de/
    http://open.fixc.fi/public.php?nid_send=271&uid_send=15
    http://www.facebook.com/pages/Suomesta-galerie/117934471569793

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