Eventos

  • Conversations at the Edge: Rosa Menkman - Glitched

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    Rosa MenkmanConversations at the Edge: Rosa Menkman - Glitched
    Thursday, September 30, 18h
    Gene Siskel Film Center
    164 North State St.,Chicago, Illinois 60601

    Rosa Menkman in person!

    Every technology possesses its own inherent accidents. Rosa Menkman is a Dutch artist and theorist whose focus is on visual artifacts created by accidents in digital media specifically. She describes these as “the uncanny, brutal structures that come to the surface during a break of the flow within a technology; they are the primal data-screams of the machine.” Working at the experimental junction of glitch, noise, and new media art, Menkman creates glitch work and writes texts about codecs, interpolation, and compression going awry. This evening, Menkman will introduce a selection of videos followed by a real-time performance. Rest assured, the equipment is working, though it may not look like it is. This presentation coincides with GLI.TC/H, an international noise and new media conference taking place from September 29 to October 3 at various locations around Chicago. Visit http://gli.tc/h. Rosa Menkman, 2006–10, Netherlands, multiple formats, ca. 75 min (plus discussion).

    Rosa Menkman (1983, Arnhem, Netherlands) is the leading international theory-practitioner of glitch art.  She has written extensively on digital artifacts and noise, including the Glitch Studies Manifesto (2010). Her videos and real-time performances have been included in festivals like Blip, Europe and U.S.; Haip, Ljubljana; Cimatics, Brussels; Video Vortex, Amsterdam and Brussels; and Pasofest, Ankara. She has collaborated on art projects together with Alexander Galloway, little-scale, Govcom.org, Goto80 and the Internet art collective, Jodi.org.  Menkman received her Master’s degree in 2009 and is currently a PhD student at KHM Cologne, writing on the subject of Artifacts.

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  • Artist In Focus: Paul Clipson

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    Paul ClipsonArtist In Focus: Paul Clipson
    Live soundtrack by Ignatz & Paul Labrecque
    Saturday, September 25th, 2010, 20h
    Palais des Beaux-Arts / Paleis voor Schone Kunsten
    Rue Ravenstein 23, 1000 Bruxelles
    Organized by Courtisane & Bozar Cinema.

    Fechas: 

    De Sábado, Septiembre 25, 2010 - 20:00 hasta Domingo, Septiembre 26, 2010 - 19:55

    Local: 

  • MassArt Film Society: Urban Forest / Human Jungle

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    Yes? Oui? Ja? (Thomas Draschan & Ulrich Wiesner, 2002)MassArt Film Society: Urban Forest / Human Jungle
    Experimental Short Films from Germany
    Wednesday, September 22th, 20h, 4$
    Massachusetts College of Art, Film Department
    Screening room 1. 621 Huntington Ave. Boston, Massachusetts 02115, USA

    Fechas: 

    De Miércoles, Septiembre 22, 2010 - 20:00 hasta Jueves, Septiembre 23, 2010 - 19:55

    Local: 

    MassArt Film Society - Boston, Estados Unidos
  • Independence

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    Independence
    Inaugural Exhibition
    Curated by Elle Burchill and Andrea Monti
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    Fechas: 

    De Sábado, Septiembre 18, 2010 - 18:00 hasta Martes, Octubre 19, 2010 - 20:55

    Local: 

    MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos
  • Independence

    By on

    Independence
    Inaugural Exhibition
    Curated by Elle Burchill and Andrea Monti
    September 18th – October 18th
    Opening Reception: Sept 18th 6-9pm
    Live performances at 6pm

    Featuring works by: Peggy Ahwesh, Michel Auder, Agnes Bolt, Martha Colburn, Bradley Eros, Raul Vincent Enriquez, Glen Fogel, Takahiko Iimura, Tom Jarmusch, Jonas Mekas, Anton Perich. And a special installation by Jonas and Sebastian Mekas.

    Fechas: 

    De Sábado, Septiembre 18, 2010 - 18:00 hasta Lunes, Octubre 18, 2010 - 20:55

    Local: 

    MICROSCOPE GALLERY (previous) - Nueva York, Estados Unidos
  • MassArt Film Society: Urban Forest / Human Jungle

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    Yes? Oui? Ja? (Thomas Draschan & Ulrich Wiesner, 2002)MassArt Film Society: Urban Forest / Human Jungle
    Experimental Short Films from Germany
    Wednesday, September 22th, 20h, 4$
    Massachusetts College of Art, Film Department
    Screening room 1. 621 Huntington Ave. Boston, Massachusetts 02115, USA

    When I started making films in the 1980s I was part of a thriving artist community in Frankfurt/Main. There was a lot of controversy about Peter Kubelka, the influential and eccentric teacher of film and cooking at the “Städel”, Frankfurt’s art academy. We had excellent programmers at the Filmmuseum and a regular “Avantgarde & Experiment” series. Our discussions reached beyond Kluge and Adorno and for many the American avantgarde was existential.

    This program collects some highlights from that period and later years. The first part spins around urban topics, extended into outer space and rooted back to the woods. The second part diversifies the use of found footage, respectively found clothes and sounds.

    All films (originally 16mm/35mm) are shown on DVD and have never been presented in the US (very few exceptions), despite awards and glory at the homebase.

    Dagmar Kamlah / Curator

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  • Directors lounge: The Destructive Power of Happiness

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    Directors lounge: The Destructive Power of HappinessDirectors lounge: The Destructive Power of Happiness
    Video and Film Works by Riccardo Iacono
    Thursday, 23 September 2010, 21h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte

    Riccardo Iacono, London-based artist and filmmaker, presents a selection of films and video from three different bodies of work: abstract videos, hand-painted films and performance tapes (produced between 1993-2007).

    “The title of the programme has nothing to do with the works that will be screening, I just found it interesting” — his statement already shows a quality also to be found in his work; with a gentle sarcasm, he likes to confront prejudices with opposing strategies. The trained painter (Glasgow School of Art) found his way to 16mm film through video collaborations with musicians both in contemporary Musique Concr ète and rave events. ”A major influence on my early work was William Burroughs' Electronic Revolution (1970), which discusses the use of recording, looping and feedback to stimulate and escalate riots.”… “I began making abstract hand-painted films in 1993, following a screening of Stan Brakhage and Pat O'Neil films on Television. I started to read books by Brakhage, but there were limited resources for seeing artists' moving image works in Glasgow back in the late 80's.”

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