Cinema Parenthèse is happy to bring Claes Söderquist in Brussels again. "Le génie civil" (1969), "Landskap" (1985-87) and "Briefe aus dem Schweigen" (1989) will be shown in the presence of the artist.
Fechas:
De Martes, Abril 9, 2019 - 19:00 hasta Miércoles, Abril 10, 2019 - 18:55
Ariana Gerstein joins us from New York to present her remarkable animations and experimental films, often using imagery created from scanners. “The tactile films of Ariana Gerstein reconcile her fascination with filmic materiality with the soft ephemeralities of light, time and memory. Using complex hand-wrought editing methods and extensive optical printing Gerstein’s work dazzles in its visual complexity and rhythmic timing.
Filmmaker, “media archeologist,” and interim chair of the SFAI Film Department Kerry Laitala makes use of decaying cultural relics and antiquated medical technologies to resurrect images and artifacts that have been forgotten. For her screening on April 3, she will present her own work together with haunting, melancholic work by Phil Solomon and the recently departed Barbara Hammer–as well as a special performance of her recent expanded cinema work Chromatic Wheels, with a live score by Jon Leidecker.
Elizabeth Block es cineasta, artista y escritora de poesía y ficción. Sus textos se han publicado en gran número de periódicos y revistas, y en internet. Su obra literaria incluye la novela A Gesture through Time (Un gesto a través del tiempo), una obra híbrida de prosa, poesía, folioscopio textual y relato guionizado de amor obsesivo y ambiguo, muerte y una inusual historia del cine.
Fechas:
De Lunes, Abril 15, 2019 - 18:00 hasta Martes, Abril 16, 2019 - 17:55
Filmmaker/Curator Ruth Somalo presents the world premiere of "Tell Me When You Die," a trilogy of performative films by Amber Bemak and Nadia Granados that reframe porn as a genre which can be empowering in its engagement with women and their bodies. Bemak and Granados work collaboratively with text, language, and the body to illustrate the colonial narratives that are still deeply entrenched an
Richard Kerr is a visual artist-media maker known for his expansive body of work, which has explored a multiplicity of genres and mediums since the 1970’s. In the 1990’s Richard expanded his practice to encompass meta-cinema installation work and most notably the conceptualization of the Motion Picture Weaving Project. Richard is a teacher/artist, as such his studio informs his teaching and his teaching inspires his studio work.
Fechas:
De Domingo, Marzo 31, 2019 - 19:00 hasta Lunes, Abril 1, 2019 - 18:55
