Eventos

  • Películas Pintadas

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    Scratch Pad, de Hy Hirsch. 1960. 7 min
    Grafitti escrito sobre imágenes. La película demuestra la original habilidad de su autor en la manipulación de la imagen.
    * Divinations, de Storm de Hirsch. 1964. 6 min
    El mundo del ritual y de la magia a través de un evento psíquico de colores y formas cuya banda sonora son los cantos de los Maorí.
    * Colour Poems, de Margaret Tait. 1974. 12min

    Fechas: 

    De Martes, Marzo 30, 2010 - 20:00 hasta Miércoles, Marzo 31, 2010 - 19:55

    Local: 

    La Casa Encendida - Madrid, España
  • Close-up: More or Less Annihilated by Saccadic Enchainment by the Sea

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    More or Less Annihilated by Saccadic Enchainment by the Sea
    March 30th 2009, 20h
    The Working Men’s Club, 44-46 Pollard Row, E2 6NB, London. Ticket: £5/£3 Close-Up members
    Doors open at 7.45 pm
    Presented by Close-Up and curated by Esperanza Collado

    Fechas: 

    De Martes, Marzo 30, 2010 - 20:00 hasta Miércoles, Marzo 31, 2010 - 19:55
  • Naomi Uman: Milking & Scratching

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    removed (Naomi Uman, 1999)Cinema Project - Naomi Uman: Milking & Scratching
    Tuesday March 30th 2010, suggested donation 7$
    Clinton Street Theatre
    2522 SE Clinton Street, 97202 Portland, Oregon, USA

    Co-presented by the Douglas F. Cooley Memorial Art Gallery, Reed College

    Fechas: 

    De Martes, Marzo 30, 2010 - 19:00 hasta Miércoles, Marzo 31, 2010 - 18:55

    Local: 

    Cinema Project - Portland, Estados Unidos
  • Manipulated Image #12: "memory" and "identity"

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    In Dreams (Michael Greathouse)Manipulated Image #12: "memory" and "identity"
    Friday, April 2 2010, 7:30pm
    Santa Fe Complex: 632 Agua Fria Santa Fe, NM, USA, 87501
    $6 suggested contribution

    Manipulated Image/Santa Fe & VideoChannel Cologne proudly present an intercontinental collaboration...

    Alysse Stepanian (Santa Fe) curates for VideoChannel Cologne

    Simultaneous launch online on VideoChannel Cologne and in physical space of Manipulated Image at The Santa Fe Complex

    Laleh Mehran (Colorado), Chris Coleman (Colorado), and Brooks Williams (New York City) will be present in person to discuss their work

    Categoría: 

  • Jefferson Presents... Experiments on Film, no.110: Malcolm LeGrice

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    Blackbird Descending - Tense Alignment (Malcolm Le Grice, 1977)Jefferson Presents... Experiments on Film, no.110: Malcolm LeGrice
    "Blackbird Descending-Tense Alignment"
    Saturday March 27th 2010, 8:00pm. $5, $4 Students.
    Garfield Artworks. 4931 Penn Ave, Pittsburgh, PA 15224, USA

    Fechas: 

    De Sábado, Marzo 27, 2010 - 20:00 hasta Domingo, Marzo 28, 2010 - 19:55

    Local: 

    Garfield Artworks - Pittsburgh, Estados Unidos
  • Taka iimura and Haruyuki Suzuki: Experimental video / live music concert

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    Film strips II (Takahiko iimura, 1966-70)Taka iimura and Haruyuki Suzuki: Experimental video / live music concert
    Friday, March 26, 2010, 9:00pm $4.99
    Exprimental Intermedia, 224 Centre Street at Grand,
    Third Floor, NY, Subway: Canal Street Station #6, 212 431 5127, 431 6430

    Fechas: 

    De Viernes, Marzo 26, 2010 - 21:00 hasta Sábado, Marzo 27, 2010 - 20:55
  • La Ciudad Moderna / La Ville Moderne

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    la_ciudad_modernaLa Ciudad Moderna / La Ville Moderne
    Jueves 25 de marzo, 19 hs.
    Alianza Francesa, Av. Córdoba 946, Buenos Aires.
    Entrada libre y gratuita.

    Selección de películas experimentales de la colección del Centro Georges Pompidou de Paris (Museo Nacional de Arte Moderno, Francia).

    Fechas: 

    Jueves, Marzo 25, 2010 - 19:30

    Local: 

    Alianza Francesa de Buenos Aires - Buenos Aires, Argentina
  • REDCAT - Ross Lipman: Urban Ruins, Found Moments

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    Rhythm 06 (Ross Lipman, 2008/1994)Ross Lipman: Urban Ruins, Found Moments
    Tuesday March 30th, 8:30 pm
    REDCAT
    631 West 2nd Street, Los Angeles, CA 90012

    Curated by Steve Anker and Bérénice Reynaud.
    Ross Lipman in person.

    “Lipman’s films are wonderful…. strong and delicate at the same time… unique. The rhythm and colors are so subtle, deep and soft.” Nicole Brenez, Cinémathèque Française

    Known as one of the world’s leading restorationists of experimental and independent cinema, Ross Lipman is also an accomplished filmmaker, writer and performer whose oeuvre has taken on urban decay as a marker of modern consciousness. He visits REDCAT with a program of his own lyrical and speculative works, including the films 10-17-88 (1989, 11 min.) and Rhythm 06 (1994/2008, 9 min.), selections from the video cycle The Perfect Heart of Flux, and the performance essay The Cropping of the Spectacle. “Everything that’s built crumbles in time: buildings, cultures, fortunes, and lives,” says Lipman. “The detritus of civilization tells us no less about our current epoch than an archeological dig speaks to history. The urban ruin is particularly compelling because it speaks of the recent past, and reminds us that our own lives and creations will also soon pass into dust. These film, video, and performance works explore decay in a myriad of forms—architectural, cultural, and personal.”

    Programme:

    - Self-Portrait in Mausoleum (DigiBeta, 1 min., 2009, Los Angeles)
    - 10-17-88 (16mm, 11m, color/sd, USA, 1989)
    - Rhythm 06 (35mm, 9 min., color, sd. USA/UK, 2008/1994)
    - selections from The Perfect Heart of Flux
    - Ocean Beach / Point Lobos I, II, III (DigiBeta, 10 min., 2007, San Francisco / Los Angeles)
    - Clean Mrf / Dirty Mrf (DigiBeta, 6 min., 2008, Puente Hills / Los Angeles))
    - Found Sand Mandala (DigiBeta, 1 min., 2007, San Francisco / Los Angeles)

    - The Cropping Of The Spectacle (2008)
    - Keep Warm, Burn Britain!

     

    Advanced Curators' Notes

    LA Weekly article

    Categoría: 

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