Since the 1950s, Geoffrey R. Llewellyn Jones has been making multi-award-winning short films that look, sound and feel like nothing else. With his extraordinary marriage of images, music and rhythm, he ranks alongside such luminaries as Norman McLaren and
Finnish filmmaker Eija-Liisa Ahtila's films and multi-screen installations explore and experiment with storytelling, creating extraordinary tales out of ordinary human experiences and particularly the unsettling human dramas at the centre of personal rel
Portland filmmaker and Peripheral Produce ring-leader Matt McCormick makes films that combine found and original sounds and images to fashion abstract and witty observations of contemporary culture.
Peripheral Produce started as an iddy-biddy screening series in Portland Oregon in 1996, and soon after added a videotape distribution wing into the mix. Now it presents a collection of the best and brightest short films and videos from Peripheral Produce’s history.
Bill’s films blur the difference between documentary and personal filmmaking and create a time-capsule of the subtle changes of the North American landscape.
Matt McCormick and Morgan Currie curate a media-archaeological treasure trove of dumpster-rescued 16mm reels containing commercials, PSA’s, and TV ephemera from a delirious decade of polyester and smiley faces.
From the claustrophobic confines of suburban surveillance to the infinite landscapes of the Taklamakan desert, Deborah’s films blur the line between abstract and documentary filmmaking and capture the alien environments within everyday life.
This collection, comprised of five short 16mm works, features Naomi’s instantly recognizable aesthetic of scratched, dyed, and hand-processed imagery and defies the established boundaries of experimental film, narrative film, documentary filmmaking and so
The new DVD, not just a transfer of video, extends further with text, and graphics, which work interactively. In \\\"Hearing / Speaking\\\", for instance, you can choose among the monitors with the picture of face, head, ear and mouth in the video-install
Jaimz Asmundson has been experimenting with film, video and electronic music since 1998. Since then he has continued to produce a body of work that has been screened internationally. His films have become known for their subversive content and he has been
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