Andrew Tamburrino presents a collection of his 16mm work made over four years, tracking a tumultuous time, but also a settling back into the person he is and wants to be. BECOMING explores nature, community, and the photochemical process, often using atypical film stocks, developing techniques, and other experimental methods to embody the belief that life is planned happenstance, chaotic order.

Boston-based filmmaker and former Harvard Film Archive curator John Gianvito had made a few films before the 20th century became the 21st, but he would wind up emerging as one of the definitive filmmakers of the current century during its first decade. His six years of work on Gulf War I cri de cœur The Mad Songs of Fernanda Hussein wound up serving as one of the definitive commentaries on the upcoming century when it premiered in 2001.

SET Film Festival returns to SET Social, Peckham, London, for its fourth edition this November, bringing together contemporary, artist and archival film across a month of screenings and events.

Curated by Amina Ali, Ellie Dobbs, Verity Monroe and the wider SET FF26 team, this year’s programme comprises four short film nights, a feature-length screening and a free evening of archival film and performance. Each night centres on a distinct theme, with selected screenings followed by Q&As with the filmmakers.

As is the case every final weekend of November, cave12 welcomes its friends and accomplices from the wonderful Akouphène Festival for three nights of dense, captivating sonic exploration, as follows: