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VARIATIONS includes twelve Canadian moving image and sound artists interpreting Poem (1957) by Michael Snow. The artists selected for this project approached the work from a number of different angles, perspectives and emotions.
Snow's poem provided an anchor for the contributing artists’ work to be fastened to, while giving them the freedom to allow their subjectivity to influence the result.
Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.
A DVD+book boxset containing four restored films by Gunvor Nelson and a 124-page book of interviews and critical articles by Julie Savelli.
The Swedish-American artist Gunvor Nelson figures among the most important experimental filmmakers of her generation. Her work considerably influenced the New American Cinema at the end of the 1960s, as much by its themes (women, the body, memory, dreams) as by its formal investigations (animation, collage, found footage).
Étienne O’Leary’s filmography consists essentially of three experimental films completed in Paris between 1966 and 1968. Day Tripper, Homeo (aka Homeo: Minor Death: Coming Back from Going Home) and Chromo Sud constitute a cinema of resistance. These bruta
Using visionary cinematography and a masterful montage of rare film artifacts, these amoral auteurs probe every dark corner of the human psyche, with morbid curiousity and in lurid detail! This shocking program explodes the genre of the horror film, profo
Adolpho Arrietta was a major figure in the new cinemas that appeared in the sixties and seventies in various countries. Thus he became one of the fundamental film directors in the history of Spanish cinema. As with Buñuel, a long exile seems to have been the condition that allowed his work to keep up with the most important trends in the cinema of his era. Throughout the seventies he produced a series of "punk à la française" films, as Severo Sarduy called them, which for their originality and influence are among the most important in French cinema of that decade.
Este libro se basó en artículos que publiqué entre 1967 y 1970 en The Los Angeles Free Press, el primero y el más influyente de los periódicos underground que florecieron en los Estados Unidos en esa época. Las columnas sobre nuevos medios aparecieron bajo el logo "Cine expandido", un término acuñado entre 1966 por el cineasta experimental y artista pionero de multimedios norteamericano Stan Vanderbeek. Investigué y escribí el resto del libro en 1969 y principios de 1970.
8-DVD compilation celebrating Experiments in Cinema festival's 10th anniversary.
DISC 1
[Paul Clipson’s films] are a photo-chemical catalog of the visible world, charged with psychic energy, scored partly by chance, and imbued with a generosity of being.
-Otie Wheeler, MUBI Notebook
Clipson’s fillms are unique to the contemporary moment in their visual intensity, but also in their commitment to a realm beyond language, beyond the culture of ‘information.’ Clipson wants to deliver us knowledge of the world—real, discrete, actual things.
-Dan Browne, San Francisco Cinematheque
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