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In the 1960s and 1970s actionism and happenings provided a foundation for performance art, the exceptional form in which women are as numerous but more recognized as men. Three generations of artists set out
in As She Likes It to formulate a statement on
Counter-Images - Underground films from the GDR 1983 - 1989
Cinematic articulations, which had evaded the direct control of state institutions, quite deliberately, in the GDR, of course, not foreseen.
The island of Sylt, one of the most beautiful islands of northern Germany, is in danger. Rising sea levels, successive storms and constant winds announce its disappearance. Man answers back with frenetic and obsessive gestures. But how do you save nature
IN/FLUX is a series of three DVDs. Each DVD is a compilation of experimental films and videos from the African world. The violence and the pleasures, the contradictions, fears and desires of a planet shaped by the postcolonial condition, the present-futur
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
Gordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobGordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobiographical genre of motion pictures. " Jonas Mekas declared Ball's Mexican Jail Footage "the best jail film I've seen"; of the same movie Robert Frank exclaimed "I can't forget this film."
The original, first ever Peripheral Produce release- originally released in 1998 on VHS tape, featured a compilation of twelve experimental films and videos. The new remastered Peripheral Produce Auto-Cinematic Video Mix Tape includes all of those plus other great titles from previously out of print Peripheral Produce tapes, including Truth in Advertising by Negativland, Atlanta by Miranda July, Battles on the Astral Plane by Jon Raymond, Slow Gin Soul Stallion by Animal Charm, Warning by Vanessa Renwick, Love Child by Bryan Konefsky, plus work from the Olympia Film Ranch, Russ Forster, Eric Ostrowski, Scott Arford, Matt McCormick, and Julian Lawrence.
In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image a
This is our brand-spanking new collection of select works from v7.9 of our festival - The collection includes 4 discs and a pair of 3-D glasses. All proceeds from the sale of this collection goes directly to ensure that next year's festival will be as successful as this year was!
This five-disc set comprises 15 works by filmmaker and multimedia artist Bill Morrison, called "one of the most adventurous American filmmakers" by Variety. Morrison's work is characterized by his sensitive approach to found, often decaying film footage, and his close collaboration with contemporary conmposers, including Vijay Iyer, Johann Johannsson and Bill Frisell. Among other shorts and features, this set includes his acclaimed DECASIA (2002), "the most widely acclaimed American avant-garde film of the fin-de-siecle." (J. Hoberman, The Village Voice).
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