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Solomon Nagler’s film work twists and turns through the uncanny topological spaces between abstraction and representation, negation and affirmation, place and placelessness. Allegorical by design, Nagler’s vision is composed of fragments of recognizable r
Lisl Ponger´s photographic and cinematic work investigates the circumstances of places and their territorial occupation by the camera, the acquisation of images, the function of photographic and cinematic representation, and the presentation of cultural v
How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static? Revisions is a unique exploration of all of these questions.
De nombreuses performances artistiques aujourd’hui se proposent de remplacer le film par son énoncé sous la forme d’une conférence illustrée ou d’une lecture. Des fragments d’un film à venir (photographies, documents, fragments de scénario) sont présentés en guise du film lui-même. On peut s’interroger sur ces nouveaux formats. De quoi sont-ils le symptôme ? S’agit-il d’un futur performatif du cinéma ?
\"Le révélateur is a silent film. A couple and their child flee in the face of an unknown, but still cinsiderable menace. A film with neither laughter nor mutterings.In a desolate landscape, full of humidity and huliliation, we see the weakest of beings s
Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
Joel Schlemowitz is a wizard of cinema, and this collection of short experimental films is a marvel to behold. Each piece is a unique gem -- quirky, provocative, playful, often handmade, and always daring
Japan is a stronghold of the experimental film world. The present volume assembles the writings of filmmaker Toshio Matsumoto who led the avant-garde art movement even in the theory practice (in four volumes). This compilation presents new discoveries as well as a historical records of the artistic struggle.
¿Cómo se presenta el cine en las prácticas artísticas cuando éste ha sido progresivamente despojado de su aparato tecnológico? ¿Es el cine una técnica o un método de asociación mental que estimula el pensamiento? Desde su mismo nacimiento, el cine se vio ceñido a una serie de normas y valores que le impedían expresar la naturaleza radical de sus potencias y, no obstante, unos cuantos visionarios han logrado extirparlo de su laberinto circular. No se trata de practicar una destrucción total del cine en todos los casos, sino de transformarlo en otras formas artísticas. Paracinema, en oposición al cine expandido, es la realización de la idea de cine a un nivel conceptual, experiencial y artístico. Se trata, en cualquier caso, de generar una experiencia cinemática desconectada, entera o parcialmente de su aparato tradicional.
The original, first ever Peripheral Produce release- originally released in 1998 on VHS tape, featured a compilation of twelve experimental films and videos. The new remastered Peripheral Produce Auto-Cinematic Video Mix Tape includes all of those plus other great titles from previously out of print Peripheral Produce tapes, including Truth in Advertising by Negativland, Atlanta by Miranda July, Battles on the Astral Plane by Jon Raymond, Slow Gin Soul Stallion by Animal Charm, Warning by Vanessa Renwick, Love Child by Bryan Konefsky, plus work from the Olympia Film Ranch, Russ Forster, Eric Ostrowski, Scott Arford, Matt McCormick, and Julian Lawrence.
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