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In the 1960s and 1970s actionism and happenings provided a foundation for performance art, the exceptional form in which women are as numerous but more recognized as men. Three generations of artists set out
in As She Likes It to formulate a statement on
The diary movie.
Les nuages américains
Le journal de Joseph M from Gérard Courant is a portrait of Joseph Morder.
Of course Peters the filmmaker blurs the individual of the same name with his dense textual and visual
system of symbols to create something else: Jan Peters the fictional character.
(Claus Löser)
Packaged with a DVD of six films and videos, These Here Separated to See How They Standing Alone Or The soundtracks of Six Films by Stephanie Barber includes the narration spoken in Barber's award-winning experimental work.
Select short, experimental films from around the world that were featured in Experiments in Cinema V4.2 film festival (see www.basementfilms.org and click on Experiments in Cinema button for more information on this annual New Mexico based film festival). Note that all proceeds will be invested in ensuring the success of next year's festival.
Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and t
To celebrate 10 years of covering unusual films and filmmakers, Cinemad magazine presents a compilation of short films that defy simple categorization. An accompanying 60 page booklet includes interviews with each filmmaker.
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches.
This five-disc set comprises 15 works by filmmaker and multimedia artist Bill Morrison, called "one of the most adventurous American filmmakers" by Variety. Morrison's work is characterized by his sensitive approach to found, often decaying film footage, and his close collaboration with contemporary conmposers, including Vijay Iyer, Johann Johannsson and Bill Frisell. Among other shorts and features, this set includes his acclaimed DECASIA (2002), "the most widely acclaimed American avant-garde film of the fin-de-siecle." (J. Hoberman, The Village Voice).
In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image a
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