Gegenbilder - DDR-Film im Untergrund 1983-1989
Counter-Images - Underground films from the GDR 1983 - 1989
Cinematic articulations, which had evaded the direct control of state institutions, quite deliberately, in the GDR, of course, not foreseen.
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Counter-Images - Underground films from the GDR 1983 - 1989
Cinematic articulations, which had evaded the direct control of state institutions, quite deliberately, in the GDR, of course, not foreseen.
The island of Sylt, one of the most beautiful islands of northern Germany, is in danger. Rising sea levels, successive storms and constant winds announce its disappearance. Man answers back with frenetic and obsessive gestures. But how do you save nature
In the 1960s and 1970s actionism and happenings provided a foundation for performance art, the exceptional form in which women are as numerous but more recognized as men. Three generations of artists set out
in As She Likes It to formulate a statement on
Packaged with a DVD of six films and videos, These Here Separated to See How They Standing Alone Or The soundtracks of Six Films by Stephanie Barber includes the narration spoken in Barber's award-winning experimental work.
This is our brand-spanking new collection of select works from v7.9 of our festival - The collection includes 4 discs and a pair of 3-D glasses. All proceeds from the sale of this collection goes directly to ensure that next year's festival will be as successful as this year was!
IN/FLUX is a series of three DVDs. Each DVD is a compilation of experimental films and videos from the African world. The violence and the pleasures, the contradictions, fears and desires of a planet shaped by the postcolonial condition, the present-futur
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
Select short, experimental films from around the world that were featured in Experiments in Cinema V4.2 film festival (see www.basementfilms.org and click on Experiments in Cinema button for more information on this annual New Mexico based film festival). Note that all proceeds will be invested in ensuring the success of next year's festival.
Cet ouvrage présenté sous forme d’abécédaire, apparemment composite, est à parcourir comme le journal de bord d’un cinéphile, amateur de cinéma expérimental qui, au gré des époques et des supports, au gré des programmations, a tracé une voie (à poursuivre et à élargir) proposant des approches du cinéma d’avant-garde et expérimental.
Sarah Pucill’s films and photographs explore the mirroring and merging we seek in the Other; a sense of self which is transformative and fluid. Her work is concerned with the idea that as subjects we are not separate.
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