Catalogue

  • John Smith

    This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

    Herbert’s text provides an incisive overview of Smith’s work over the past four decades while Christie examines Smith’s oeuvre within the context of English eccentricity. Meyer’s essay discusses Smith’s film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smith’s Gargantuan.

    Rating: 

    Average: 2.7 (3 votes)

    Price: 

    30 EUR

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  • Contre-Œil

    From surrealist refractions to punk and dissident factions, the CONTRE-OEIL anthology brings together a unique collection of avant-garde film works. Tearing apart the barriers between eras, borders and mediums, the viewing experience encompass a total experience of the unstrapped brain of subterranean luminosity and high voltage experimentations.

    Rating: 

    Average: 3.3 (4 votes)

    Price: 

    30 CAD

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  • A Relational [Video] Grammar: Extrapolation

    A relational [video] grammar: extrapolation is an editing experiment that uses drawing and the addition/reconfiguration/obliteration of text to examine speech generated during the making of direct address to camera, within a context of artists’ film and video. a relational [video] grammar: extrapolation tests the conceptual relationships between linguistic and technological editing processes.

    Rating: 

    Average: 1 (1 vote)

    Price: 

    12,49 GBP

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  • DADA, Surrealism, and the Cinematic Effect

    This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life.

    Rating: 

    Average: 2.5 (4 votes)

    Price: 

    85 USD

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  • Jonas Mekas - Sleepless Nights Stories

    This film originated from my readings of the One Thousand And One Nights. But unlike the Arabian tales, my stories are all from real life, though at times they too wander into somewhere else, beyond the everyday routine reality.

    Rating: 

    Average: 3.3 (4 votes)

    Price: 

    24 EUR

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  • Laura Mulvey & Peter Wollen - Riddles of the Sphinx

    Laura Mulvey and Peter Wollen's visually accomplished and intellectually rigorous Riddles of the Sphinx is one of the most important avant-garde films to have emerged from Britain during the 1970s.

    The second collaboration between Mulvey and Wollen, both of whom are recognised as seminal figures in the field of film theory, Riddles of the Sphinx explores issues of female representation, the place of motherhood within society and the relationship between mother and daughter. Composed of a number of discrete sections, many of which are shot as continuous circular pans, the film takes place in a range of domestic and public spaces, shot in locations which include Malcolm LeGrice's kitchen and Stephen Dwoskin's bedroom.

    Rating: 

    Average: 2.8 (8 votes)

    Price: 

    14 GBP

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  • Narcisa Hirsch: Experimental Films

    MQ2* is a publishing house specializing in experimental film and video whose main object is the promotion and publication of experimental audiovisual artists.

    In its first publication MQ2* presents a selection of Narcisa Hirsch’s experimental films plus a bilingual book featuring a foreword by Victoria Sayago, a critical text by Emilio Bernini and a text written specifically for this publication by Narcisa herself.

    Rating: 

    Average: 4 (4 votes)

    Price: 

    50 USD

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  • de Nooijer: Dutch Masters

    Paul de Nooijer (* 1943) has been making films for 40 years now – an incredible achievement in a field not exactly showered by public interest and funding. His reputation is solidly based on works displaying mostly ‘illusionism’ – the interdependency of film and photography. Since son Menno (*1967) joined in this ‘family business of art’ as a full-fledged partner in 1989, the films became faster and more colourful. But more importantly, the focus of their artistic efforts slightly shifted from just photography and film to a combination with theatre and performance.

    Rating: 

    Average: 4 (4 votes)

    Price: 

    24,90 EUR

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  • Friedl Kubelka Vom Gröller - Photography & Film

    This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka, known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.

    Rating: 

    Average: 3 (2 votes)

    Price: 

    40 EUR

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  • Oskar Fischinger (1900-1967): Experiments in Cinematic Abstraction

    Edited by Cindy Keefer and Jaap Guldemond. This new monograph explores the position of Fischinger's work within the international avant-garde. It examines his animation and painting, his use of music, his experiences in Hollywood, the Lumigraph, visual music theories, and his influence on today's filmmakers, artists and animators. The book also contains previously unpublished documents including texts by Fischinger himself, and unshot animation drawings. Essays compiled and commissioned by editor Keefer include new research and texts by Jean-Michel Bouhours, Jeanpaul Goergen, Ilene Susan Fort, James Tobias, Cindy Keefer, Richard Brown, Joseph Hyde, Paul Hertz, Joerg Jewanski, and more.

    Rating: 

    Average: 2 (2 votes)

    Price: 

    40 USD

    Category: 

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