The exhibition’s catalogue assembles the results of the worldwide research into surrealist films in images and text and presents the ways in which filmic surrealism has been diffused. The publication thus comes to grips with subjects that have thus far only marginally been dealt with and collects them in a compendium of filmic surrealism. In this way the visitors to the exhibition are offered further reading for enrichment and the professional academic public is provided with the stimulus for further fruitful activity.

Editions Light Cone is pleased to announce the publication of its first ebook: Jean-Michel Bouhours on Paolo Gioli. Benefitting from the new power of ebooks to integrate video with text, the first title in this new series from Editions Light Cone has been conceived as a dialogue between two important voices in contemporary moving image art. 

Collected in a single volume, and illustrated by extracts from Paolo Gioli's films, are essays and notes written over a twenty year period by Jean-Michel Bouhours, currently a curator of Modern Collections at the Musée national d’art moderne - Centre Pompidou in Paris. For many years, Bouhours directed the museum’s film programme and has long been an active member of Light Cone.

Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.

Informed by the criticism of iconic filmmaker Pier Pasolini, The Cinema of Poetry offers spirited explorations of poetry's influence on classic films by Dimitri Kirsanoff, Ingmar Bergman, and Andrey Tarkovsky. It also highlights how avant-garde films made by Joseph Cornell, Lawrence Jordan, Jerome Hiler, Gregory Markopoulos, and others found rich, unexpected sources of inspiration in a diverse group of poets that includes Stéphane Mallarmé, Emily Dickinson, H.D., Ezra Pound, Robert Duncan, John Ashbery, and Aeschylus. Written with verve and panache, it represents the culmination of P. Adams Sitney's career-long fascination with the intersection of poetry, film, and the avant-garde.