Screenings

  • OJOBOCA & Klara Ravat

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    On the evening of Thursday, November 26 the works of Klara Ravat and the OJOBOCA collective will be screened at the facilities in the Goethe Institut of Barcelona. This activity advertised with the explicit title of Experimental analogue film projections is part of the activities organized on the occasion of the sixty years of the Goethe Institut in Barcelona. Klara Ravat presents a selection of works on film (super 8 and 16 mm) ranging from collage of abstract forms to impressionism with a feminist background, passing through both visual and olfactory perceptual games. Anja Dornieden and Juan David Gonzalez Monroy, from OJOBOCA will offer a set of films that are born from filmic experimentation, implemented by hand during the filming and developing processes, to propose a session entitled Horrorism for beginners, beginners for horrorism, revealing participatory psychological concerns.

    Dates: 

    Thursday, November 26, 2015 - 18:00 to Friday, November 27, 2015 - 17:55

    Venue: 

    Goethe-Institut Barcelona - Barcelona, Spain
  • Klaus Wyborny: Cinema and the experience of time

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    As a preview of the upcoming season of Xcèntric, centring on the relations between science and film, we’ll be visited by Klaus Wyborny, physicist, mathematician, musician and filmmaker. First he’ll be talking about time in cinema on the basis of his films and then we’ll see one of his most important works.

    6pm Lecture: Cinema and the experience of time

    Dates: 

    Thursday, November 26, 2015 - 18:00 to Friday, November 27, 2015 - 17:55

    Venue: 

  • Feux d'artifices: 30 years of Paris Expérimental

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    Since 1985, publisher Paris Expérimental has become a singular meeting point between experimental cinema and its history. With around fifty landmark publications and events, this publishing house has contributed in France to the knowledge and recognition of experimental film forms that have often been marginalised.

    Dates: 

    Wednesday, November 25, 2015 - 14:00 to Thursday, November 26, 2015 - 20:55

    Venue: 

    Centre Pompidou - Paris, France
  • First Thought, Best Thought: A Compendium of Camera Roll Films

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    Using a single hundred-foot roll of 16mm film to create an unedited camera-roll film -- fresh from the lab and onto the screen -- has a certain appeal to me. Partly it’s the practical aspect of DIY efficacy that comes with circumventing the costly steps of post-production. With editing there is something diluted from this raw power of the pure, unadulterated footage, no matter how masterfully the material is pruned and refashioned. Perhaps the phrase of Allen Ginsberg, Chogyam Trungpa, and others, “First thought, best thought” expresses this energy present in the camera-roll film?

    Dates: 

    Friday, December 4, 2015 - 19:00 to Saturday, December 5, 2015 - 18:55

    Venue: 

    Filmmakers Co-op - New York, United States
  • DIM Cinema: Almanac (Circa 1970)

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    In 1970, a unique project was commissioned by the Stills Division of the National Film Board of Canada: fifteen West Coast artists -- many of them using a camera for the first time -- were invited to create a series of photographic booklets that were later compiled into an anthology. The B.C. Almanac(h) C-B artists conceived the book as an exhibition, and designed the accompanying exhibition as a 3-D version of the book’s production. To bring to light this forgotten event in the history of West Coast media art, Presentation House Gallery has reprinted the anthology and remounted the exhibition, along with works from the period by artists featured in the book.

    Dates: 

    Monday, November 23, 2015 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canada
  • Leslie Thornton. Aesthetics of uncertainty

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    For four decades, the reputed American artist Leslie Thornton (1951) has created a complex and penetrating body of films and videos, characterised by constant displacement or by their interstitial positioning. Some traits of a work that resists comfortable classifications are the questioning of borders and the overlapping between resources and supports; the continual exploration of the possibilities afforded by changing technology; critical investigation into notions of narration and representation; interrogation of the closed or completed work and, consequently, postponement of its semiotic closure. In fact, many of her pieces are conceived as series of episodes in constant development and have been re-made and re-structured over the decades, as is the case of the classic Peggy and Fred in Hell (1984-2015) —a milestone in contemporary experimental cinema— or The Great Invisible (2002-), both presented here in their most recent version.

    Dates: 

    Sunday, November 15, 2015 (All day) to Thursday, November 19, 2015 (All day)

    Venue: 

    Gólem Alhondiga - Bilbao, Spain
  • FICXLAB 2015

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    FICXLAB, the Gijón International Film Festival section devoted to experimental film & video returns next November 20-28  with a programme that combines both the work of audiovisual artists and filmmakers. Organized by LABoral, with the collaboration of Lumière Magazine this edition includes screenings of seminal works by R.Bruce Elder and Robert Nelson, as well as programmes dedicated to the work of Nathaniel Dorsky, Helga Fanderl, João Maria Gusmão & Pedro Paiva or José Val del Omar, among others.

    Dates: 

    Friday, November 20, 2015 (All day) to Saturday, November 28, 2015 (All day)

    Venue: 

  • OFFoff-ON: Kozakis & Vaneigem / Kozakis & Savitskaya / Abrantes & Schmidt / Humbert & Penzel

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    A Moment of Eternity in the Passage of Time is a black-and-white video projection with images by visual artist Nicolas Kozakis and text by philosopher and writer Raoul Vaneigem. The work was shot in Mount Athos, a remote mountain and peninsula in northern Greece, which is home to a number of Greek Orthodox monasteries. Access to the area is restricted to few visitors and women are not allowed. Apart from being a holy place, it is also one of escape and meditation for those who manage to gain access. The video unfolds in an undisclosed location, by the sea. A sad-faced, lone immigrant construction worker goes about the task of building a traditional stone house, at his own pace, stopping now and then to smoke a cigarette and contemplate the magnificent, totally still sea view. His task is facilitated by a few donkeys, ancient labourers which have now become all but obsolete from the modern workforce.

    Dates: 

    Wednesday, November 18, 2015 - 20:30

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Scratch Projection: Björn Kämmerer vs Johann Lurf

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    Of German origin, Björn Kämmerer lives and works in Vienna. Alongside Johann Lurf, they are part of the young Austrian guard that reinvents the cinematic language using brilliantly different media and mediums. Their films have been awarded many prizes at international festivals and this session will be a rare opportunity to compare their work and exchange views.

    Dates: 

    Tuesday, November 17, 2015 - 20:30

    Venue: 

    Studio des Ursulines - Paris, France

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