Events

  • Xcèntric: My Tongue is Lesbian

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    Pleasure, Intimacy and Resistance in Barbara Hammer and Sandra Lahire

    Beyond their differences, the cinematic poetics of Barbara Hammer and Sandra Lahire share the same radical question: how do we position the body in the struggles (and care) running through the intimate and the shared? This programme runs alongside the two Aula Xcèntric talks, aimed at the publics of Barbara Hammer (4 November) and the cinema of Sandra Lahire (18 November).

    Dates: 

    Sunday, November 2, 2025 - 18:30

    Venue: 

  • The Cinema of Peter Hutton

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    Step into the contemplative world of acclaimed experimental filmmaker Peter Hutton with a rare screening of three of his most poetic works: Landscape (for Manon), Study of a River, and Time and Tide.

    Traveller, sea merchant and avid sailor, Peter Hutton made silent films grounded in the fleeting movement of rivers, clouds, mist, smoke and sunlight, inspired by the river painters from the Hudson river school (1829–1908).

    Dates: 

    Sunday, November 30, 2025 - 15:00

    Venue: 

    Barbican Cinema - London, Reino Unido
  • La Región Central Cineclub: Two Michael Snow screenings in 16mm (Presented by Peggy Gale)

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    On two consecutive days (November 5 and 6), Santiago de Chile based cineclub La Región Central will host two consecutive 16mm screenings of Michael Snow's films. First, the rarely exhibited and unjustly forgotten Seated Figures (1988), a sort of lost classic of Michael's filmography. Aditionally, his last film completed, Cityscape (2019) will also be screened along with Seated Figures. And last but not least, La Région Centrale (1971), not only Snow's masterpiece, but also the film that give this cineclub its title.

    Dates: 

    Wednesday, November 5, 2025 - 18:00
    Thursday, November 6, 2025 - 18:00
  • Machines in the Garden: Ecstatic Landscapes

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    Spectrum Between presents…
    MACHINES IN THE GARDEN: Ecstatic Landscapes in 16mm

    As something of a sequel/companion to our water program, this collection of films showcases a range of different approaches to representing landscapes and natural forms. Filmmakers include Larry Gottheim, Stan Brakhage, Rose Lowder, James Otis, Peter Rose & Nathaniel Dorsky

    Tuesday November 11th
    NW Portland, OR
    Venue: Special Features
    Doors at 7:00 PM / Films at 8:00 PM

    Dates: 

    Tuesday, November 11, 2025 - 20:00

    Venue: 

    Special Features - Portland, Estados Unidos
  • Chester Vincent Toye: THE EDGE

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    THE EDGE is a two-day installation, screening, and healing experience that explores race, masculinity, mental health, and spirituality by artist, filmmaker, producer, and creative coach Chester Vincent Toye. The program includes a feature-length non-fiction film, THE EDGE (74 mins, produced by Chester Vincent Toye & Marion Tanis), and an accompanying video installation, THE EDGE: METHOD 001 (Chester Vincent Toye & Co-Designed / Edited by Dorian Tocker).

    Dates: 

    Saturday, October 25, 2025 - 11:00 to 16:30
    Sunday, October 26, 2025 - 11:00 to 16:30

    Venue: 

    Human Resources - Los Angeles, Estados Unidos
  • Synch Pulse - No. 19: Railways

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    Whether a train spotter or ordinary passenger, all can acknowledge the striking impact railways have had on the modern world. Filmmakers have sought to capture many of the aspects that hold an enduring aesthetic appeal through different audiovisual techniques within the medium of short film.

    Dates: 

    Tuesday, October 21, 2025 - 19:00

    Venue: 

    The Rose Hill - Brighton, Reino Unido
  • Flesh, Wax & Glass pt. I & II By George Finlay Ramsay

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    Two powerful short films charting a Southern Italian bloodletting ritual and one family’s journey through mourning, faith and devotion in the 21st century.

    Screening at the Barbican:
    https://www.barbican.org.uk/whats-on/2025/event/flesh-wax-glass-pt-1-2-b...
    Mon 10 Nov 2025, 18:30

    Dates: 

    Monday, November 10, 2025 - 18:30

    Venue: 

    Barbican Cinema - London, Reino Unido
  • In Focus: Kaori Oda

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    Japanese experimental filmmaker Kaori Oda uses her camera as a navigational tool, feeling her way through unfamiliar worlds, particularly subterranean terrains, in her “underground” experimental non-fiction features. These films are dazzling visual and sensory experiences that at first seem preoccupied with remote, unlivable landscapes. Yet within even the most extreme locales, Oda reveals a strikingly syncretic world – one in which nonhuman landscapes converse with human memories, desires, and cosmologies.

    Dates: 

    Thursday, November 20, 2025 (All day) to Sunday, November 23, 2025 (All day)

    Venue: 

    Institute of Contemporary Arts - London, United Kingdom

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