Cinema Konsonant and Kino Ponrepo present a two-program screening in remembrance of Fred Worden, who passed away on March 7 this year. Fred Worden (b. 1946, New York), described as "post-1960s pioneer of cinematic optical investigation," spent more than five decades exploring what film preservationist Mark Toscano calls "the outer limits of our vision." Having studied under Pat O'Neill and Robert Nelson at CalArts, he experimented with a wide range of approaches to filmmaking, gradually developing a cinematic language increasingly detached from conventional representation.

Ute Aurand is a German experimental filmmaker, curator, and lecturer. In her films, she captures personal observations with her 16mm Bolex camera: visits with friends, celebrations, the changing of the seasons, intimate moments. The images come and go at their own pace; some linger, while most flit by in rapid succession, and the sound, too, begins and ends abruptly. Despite this fleeting nature, the films radiate a warmth and tranquility that is almost impossible to resist, allowing us to share in small moments of happiness.

Performance Session: Katherine Bauer & Erica Dawn Lyle + Loïc Verdillon

Transmissions in Silver, performance de Katherine Bauer (films) & Erica Dawn Lyle (sound)
2026 / 16mm / n&b et couleur / 45min
The multiple 16mm projector, expanded cinema piece, of variable length, incorporates layering of imagery, lens refraction, obstruction and live music.