Objet trouvé - A journal of visual and artistic explorations
Film - Video Art - Installations - Photography - Painting
objet trouvé is a journal devoted to exploring images and visual thought. It is conceived as a space for aesthetic dissent — a place where art unfolds beyond conventional boundaries, releasing a flow of sensations and ideas.
Through a selection of multidisciplinary works, objet trouvé engages with contemporary questions surrounding images, probing their visual, cultural, historical, and material dimensions.
At a time when artworks circulate, vanish, and dissolve into the fleeting fabric of the virtual world, we uphold the idea of art as presence.
In an age of digital flux — where images proliferate without leaving a trace — we seek to return them to their rightful place: within the grain of reality.
Photography, cinema, video, installation, painting, sculpture — we embrace forms that question their own materiality and blur the lines between disciplines.
Like an artefact left by the roadside, objet trouvé gathers works and ideas that open fissures in the visible. We believe in accidents, in discoveries, in the shock of the unforeseen — in those forms and aesthetics that arise, raw and untamed, defying categorisation.
Each issue is an invitation to a sensory encounter — to (re)discover artists, works, and ways of exhibiting them. Projects where aesthetics explode, where form challenges imagination, and where thought takes shape through a multiplicity of perspectives.
objet trouvé calls for a renewed gaze: one that sees art not as static, but as endlessly unfolding.
Issue 1 (Autumn - Winter 2025/2026)
Original interview (unpublished in French) with Michael Snow, text and photographs by Charlotte Auricombe, and long interview with Antoni Pinent.
Language: French
Publication date: October 2025
Dimensions: 26.3 × 37.6 cm
32 pages, colour and black and white
Limited edition of 100 copies
Printed and handcrafted by Charlotte Auricombe and Pierre Campistron at Les Intranquilles (Toulouse) on 80g bulk paper.
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