Online Edition | Full Open Access
Contributors for Issue #11: Jiří Anger, Alejandro Bachmann, Michael Betancourt, Donald Brackett, Pamela Breda, Marie-Pierre Burquier, Clint Enns, Federica Foglia, Rachel Garfield, Tessa Hughes-Freeland, Sibley Labandeira, Matthew Cole Levine, Laura U. Marks, Alex Feliciano Mejía, Amin Pakparvar, Chantal Partamian, Rick Prelinger, Catherine Russell, José Sarmiento Hinojosa, Ellie Vanderlip, and Anna Zemlianski.
On the cover: Suave mar by Sara N. Santos, 2025
Interviews:
A Conversation with Tessa Hughes-Freeland, by Rachel Garfield
Like a Ribbon Tied Around the Finger to Not Forget, or Like Picking at Scabs to Keep the Wound Open: A Conversation with Anna Zemlianski, by Alejandro Bachmann
An Interview with Federica Foglia, by José Sarmiento Hinojosa
Interrupting the Amnesic Race Towards the Future: A Conversation with Rick Prelinger, by Sibley Labandeira
Reviews:
Human Movie: Six Meditations on a Compression Algorithm | Eryk Salvaggio | 2025, by Michael Betancourt
Suave Mar | Sara N. Santos | 2025, by Marie-Pierre Burquier
Sometimes I Identify as a Man, Sometimes a Woman | Ronnie & Natalie Pollock, with introduction by Daniel Barrow | 2024, by Clint Enns
Bomba Bernal | Khavn de la Cruz | 2025, by Jiří Anger
My Armenian Phantoms | Tamara Stepanyan | 2025, by Chantal Partamian
Another Other | Bex Oluwatoyin Thompson | 2025, by Matthew Cole Levine
Article
Finding the Found: Personality and precarity in San Francisco’s Other Cinema archive, by Ellie Vanderlip, Alex Feliciano Mejía
Revisited
Archiveology: Walter Benjamin and Archival Film Practices – Prologue, by Catherine Russell
Loving a Disappearing Image, by Laura U. Marks
Essays
Lost in Time: The fate of footage in the digital age, by Donald Brackett
Frames of a Potential History, by Amin Pakparvar
Activating Memory Through Archival Footage: Proustian echoes and the philosophical implications of reclaiming the past, by Pamela Breda
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