Turim MCheryn.
1985.
Abstraction in Avant-garde Films. Studies in Cinema. 32:165pp.
- Tracing the rupture of the avant-garde
- Beyond reading: image, imagination, aesthetic economies at play
- Sound: beyond distinctions between music, noise and speech, a new process a new ordering
- Gradual transformations and subtle changes
- Visual dynamics, referential tensions and conceptual film
- Flickering light, pulsing traces
- Scanning landscapes and collapsing architectures: shattering the grounding of the subject/eye
