A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
To see and think the world as a totality has never been more crucial thanks to the present global environmental crisis. This three-part programme will bring together historical and contemporary films about ‘the world’ with the aim of exploring the divergences and continuities between audiovisual representations of the Earth past and present. From narratives of colonialism and internationalism through to end-of-the-world mythologies and the Anthropocene discourse, these films show that the history of cinema is inseparable from a quest to imagine the world as a totality.
Dates:
Saturday, June 8, 2019 - 13:00 to Sunday, June 9, 2019 - 17:55
Saturday, June 15, 2019 - 13:00 to Sunday, June 16, 2019 - 17:55
Saturday, June 22, 2019 - 13:00 to Sunday, June 23, 2019 - 17:55
Special On Angela Ricci Lucchi & Yervant Gianikian: - Yervant Gianikian and Angela Ricci Lucchi: Archive, Technology and Body, by Paula Arantzazu Ruiz
The work of Yervant Gianikian and Angela Ricci Lucchi is a cinema of catalogue, a cinema that displays previously archived images and shapes an enormous inventory of 20th history century. It has been more than forty years since these Italian filmmakers (Gianikian is of Armenian origin) have been recovering, re-filming and re-editing archived films by means of the analytical camera—a re-visualizing tool made ex profeso to manipulate film footage from different sources, either by cutting original frames, reversing images and revealing their negative, modifying speed or manipulating the montage.
