Tags: Carolee Schneemann

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KABANE77 Acte VII: Flesh Cinema

By Marcos Ortega on Tue, 24/06/2014 - 16:07

KABANE77 is putting the reel back in motion this summer and is proposing a new series of outdoor events. Dedicated to independent and experimental filmmaking, KABANE77 is inviting you under the trees for ACTE VII.
16mm film projection outdoor screening

- Wedlock House: An Intercourse (Stan Brakhage, 1959, 11 minutes)
- Fuses (Carolee Schneemann, 1964-1967, 23 minutes)
- Christmas on Earth (Barbara Rubin, 1963, 30 minutes)
- T,O,U,C,H,I,N,G (Paul Sharits, 1968, 12 minutes)

On the occasion of the book launch of Ara Osterweil, "Flesh Cinema: The Corporeal Turn in Avant-Garde Film" (Manchester Univ. Press, 2014)

Dates:
Sunday, June 29, 2014 - 21:30
Venue:
KABANE77 - Montréal, Canada
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film
Flesh Cinema: The Corporeal Turn in American Avant-Garde Film explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.

Rating:

Average: 3.6 (5 votes)
Category:
Books
Publisher:
Manchester University Press
MuMaBoX #29: Performative body

By Marcos Ortega on Wed, 05/02/2014 - 16:30

In the history of contemporary art, the body has been a particular medium in the sense that it implies a physical engagement of the artist who is not necessarily present with other media: it isn't just action painting and the rise of Abstract Expressionism in the United States in the 50s that made us realize that the painter paints (also) with his body. With Gutai in Japan, the Vienna actionists, Fluxus and body art - or corporal art, and many other artists out of any movement, the body becomes all or part of the artistic language.

This performative body, filmed under various schemes - of the acquisition to the intimate theater,, we will give an overview of creation in the field of performance, territory of the art or History, sexuality and gender are examined.

Dates:
Wednesday, February 12, 2014 - 20:00 to Thursday, February 13, 2014 - 19:55
Venue:
Musée d'art moderne André Malraux - Le Havre, Francia
Selections from Treasures 6: Next Wave Avant-Garde

By Marcos Ortega on Mon, 04/11/2013 - 15:43

As part of "Back for the Future: Film Restoration in the 21st Century" Jeff Lambert from the National Film Preservation Foundation will present a selection of films from the upcoming DVD set Treasures 6: Next Wave Avant-Garde. A discussion with Michael Pogorzelski, Director of the Academy Film Archive, will follow the screening.

Films to be shown:
- A Visit to Indiana (1970) by Curt McDowell, preserved by Pacific Film Archive
- Plumb Line (1978) by Carolee Schneemann, preserved by The Museum of Modern
- Radio Adios (1982) by Henry Hills, preserved by Anthology Film Archives
- 11 thru 12 (1977) by Andrea Callard,preserved by New York University
- Hi-Fi Cadets (1989) by Lewis Klahr, preserved by the Academy Film Archive (preservation premiere!)
- Report (1967) by Bruce Conner, preserved by Anthology Film Archives as part of the NFPF's Avant-Garde Masters Program funded by The Film Foundation.

Dates:
Monday, November 18, 2013 - 19:30
Venue:
Linwood Dunn Theater - Hollywood, United States
Then and Now: Carolee Schneemann – Œuvres d’Histoire
A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

Published on the occasion of the eponymous exhibition at the Musée départemental d'art contemporain de Rochechouart in 2013.
Rating:

Average: 3 (3 votes)
Category:
Books
Publisher:
Les presses du réel
A Critical Cinema: Interviews with Independent Filmmakers
Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

Rating:

No votes yet
Category:
Books
Publisher:
University of California Press
LFF 2007: Avant-Garde Weekend

By Marcos Ortega on Sun, 23/09/2007 - 20:45
This year's edition of the London Film Festival brings us again its Avant garde Weekend, Experimenta. During the last weekend of October we'll be able to see several film programmes, curated by Mark Webber, on themes such as identity, poetic perception of nature and the revisitation of the past. Highlights include a new works by Ken Jacobs, Peter Hutton and Robert Beavers, newly restored versions of Carolee Schneemann's films Fuses and Kitch’s Last Meal and a practical workshop with David Gatten 'on the use of text in 16mm filmmaking'.
Category:
Events
Carolee Schneemann - Imaging Her Erotics: Essays, Interviews, Projects
Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo.
Rating:

Average: 3.3 (4 votes)
Category:
Books
Publisher:
The MIT Press

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