Tags: Pat O'Neill

Pat O'Neill

Pat O'Neill (b. 1939 in Los Angeles, California) is an experimental film-maker who has worked as well in commercial cinema. His expertise include the area of Direction, Cinematography, Production, Editing, Visual Effects, Special Effects and the Animation Department.

Nationality: 

United States

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  • ExperimentL.A. #3 Focus on the Los Angeles Independent Film Oasis

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    For its second screening of 2025, Cinédoc's ciné-club, dedicated this season to the work of experimental film cooperatives created from the 1960s onwards, will be travelling to the cinema Le Grand Action, on Monday March 24 at 8pm, for an exceptional screening of the ExperimentL.A. cycle initiated in 2023. The March program is conceived in solidarity with the experimental filmmaking community in Los Angeles, following the fires that ravaged the region earlier this year.

    Dates: 

    Monday, March 24, 2025 - 20:00

    Venue: 

    Cinéma le Grand Action - Paris, France

  • Pat O'Neill: Three Answers

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    A pioneer of experimental cinema, the Los Angeles artist Pat O’Neill developed innovative techniques for radically altering imagery in the predigital era. His highly inventive 16mm films from the 1960s and 1970s explore dense layering and movement within a still frame. In recent years, O’Neill has reworked several of his early films into multiple projections.

    Dates: 

    Saturday, April 20, 2019 (All day) to Sunday, August 4, 2019 (All day)

    Venue: 

    San Francisco Museum of Modern Art - San Francisco, United States

  • Pat O'Neill: Contemporary Focus

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    This weekend spotlight on film pioneer Pat O’Neill explores the Los Angeles artist’s recent moving image work and dynamic use of various animation techniques. Playing continuously in the Gina and Stuart Peterson White Box, this program includes a three-channel version of Trouble in the Image (1996/2015). Presented in conjunction with the exhibition Pat O’Neill: Three Answers on Floor 7.

    Dates: 

    Thursday, June 6, 2019 (All day) to Sunday, June 9, 2019 (All day)

    Venue: 

    San Francisco Museum of Modern Art - San Francisco, United States

  • Cineinfinito #87: Pat O'Neill

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    Pat O’Neill’s rarely screened masterpiece Water and Power (1989) is a technological feat on the terrifying desert created by Los Angeles’ enormous water consumption. O’Neill focused intently on the industry that sprang up around Los Angeles, ‘the city that changed land into desert’, which he filmed with the use of time-lapse photography and optical printing and animation. In this way, he managed to expose the inexorable conflict between industry and nature.

    Dates: 

    Monday, April 15, 2019 - 18:00 to Tuesday, April 16, 2019 - 17:55

    Venue: 

    Centro Cultural Doctor Madrazo - Santander, Spain

  • Xcèntric: Pat O’Neill. Optical compositions

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    Water and Power (Pat O'Neill, 1989)

    Pat O’Neill is an inspirational figure on the Los Angeles avant-garde film scene. Considered a master and innovator in his use of the optical printer, the unexpected compositions and cinematographic landscapes that make up his cinema are the fruit of his pioneering, virtuoso artisan work which, in contrast with the digital age, strongly reveals its visual and chromatic intensity.

    Dates: 

    Thursday, February 1, 2018 - 19:30

    Venue: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, Spain

  • Close-Up - Trouble in the Image: Pat O'Neill

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    Trouble in the Image (Pat O'Neill, 1996)

    Pat O'Neill presents a programme of films selected from his five decade career to coincide with the UK premiere of his new film Where the Chocolate Mountains at the Tate Modern on 23 November.

    Dates: 

    Saturday, November 25, 2017 - 17:30

    Venue: 

    Close-Up Cinema - London, United Kingdom

  • Independent Frames: Shape and Structure

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    Object Conversation (Paul Glabicki, 1985)

    While structural film was the dominant form within the avant-garde tradition at the dawn of the 1970s, animators used shape and structure in a variety of ways that differentiated their works. Robert Russett composed geometric patterns and colour sequences in complex rhythms to create his pulsing, abstract films. Paul Glabicki created incisive, analytical works that explored objects through image, language, form and movement, drafting stunningly complicated sequences by hand.

    Dates: 

    Saturday, February 18, 2017 - 14:30 to 16:30

    Venue: 

    Tate Modern - London , United Kingdom

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