This season’s opening session presents a series of films that address the relationship between women and musical composition. These are films with composition models very similar to those of music, scores where the sounds are notated in the form of images that work on their synchrony, where what is seen and what is heard is often materially the same. These kinetic compositions by Eugènia Balcells, Mary Ellen Bute, Lis Rhodes and Blanca Rego serve as a pretext to highlight the presence of female composers in the history of music.