When Hiroyuki Oki (1964-2025) passed away suddenly late last year, Japan lost one of its most singular and tireless artist-filmmakers. His amorphous work, traversing documentary and fiction, frequently harnessed smaller, more intimate forms of cinema (8mm, 16mm, video, the home movie) for their unique potential. This program brings together four such ‘small’ works—short films in which a direct mode of filmmaking comes to express a sense of erotic desire and longing.