First session in a series of useful labs in partnership with Le Lieu Unique on the porosities between the experimental image and the documentary: documentary cinema / experimental cinema - borders, influences. This first meeting is devoted to one of the common origins of experimental film and documentary cinema: the first science films from the early twentieth century.

The moving image as an observation, and contemplation tool, of natural phenomena or environments, fragile, unknown and often invisible to the naked eye. A marine evening with the 16mm performance Intertidal by filmmaker Alex MacKenzie (Vancouver, Canada) and the projection in 16mm of the film Hyas & Stenorinques by Jean Painlevé.