Tags: Jonathan Walley

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  • Film Talks: 15 Conversations on Experimental Cinema

    Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

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  • Canyon Cinema Salon: Kerry Laitala and Jonathan Walley on Expanded Cinema and Cinema Expanded

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    Kerry Laitala, Retrospectroscope (1996). From “Timeless Motion,” SOMArts Gallery, SF, 2016

    Artist and filmmaker Kerry Laitala (San Francisco) and cinema scholar Jonathan Walley (Columbus, OH) engage in an illustrated conversation about expanded cinema, including Laitala’s recent 16mm film projection performance Fire Fly EYE (hand-processed 16mm Ektachrome and B&W film, dual projection) and the iconic paracinematic work Retrospectroscope (1996; pictured above). Walley will also discuss his book Cinema Expanded: Avant-Garde Film in the Age of Intermedia, published last year by Oxford University Press, the first comprehensive historical and theoretical account of expanded cinema published since Gene Youngblood’s landmark book Expanded Cinema (1970). 

    Dates: 

    Sunday, January 31, 2021 - 19:00 to Monday, February 1, 2021 - 18:55

  • Cinema Expanded - Avant-Garde Film in the Age of Intermedia

    Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it.

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