In February the Barbican is holding a rare screening of Park Lanes, Kevin Jerome Everson’s eight-hour meditation on labour and craft inside a factory producing bowling lane equipment. Mirroring a full workday, the film captures the rhythms of production and the artistry of everyday work without commentary, offering a unique and immersive perspective on industrial life.

Streaming on ACRETV.org:
The Iowa City International Documentary Film Festival (ICDOCS)

After a celebrated solo presentation of his work for the cinema at Tate Modern in London in 2017, an expansive career overview at Harvard Film Archive in 2018, and a major retrospective of his films at Centre Pompidou in Paris in March this year as part of the festival Cinéma du réel, the influential US artist Kevin Jerome Everson arrives at the peak of his wildly successful career to the Museum of Contemporary Art Vojvodina in Novi Sad for a unique solo exhibition of his work. This gallery exhibition offers a selection of his short works on 16mm, installed as digital projections, as well as his eight-hour magnum opus Park Lanes (2015).

The idea behind Affinities or The Weight of Cinema derives from Goethe’s classic 1809 novel Elective Affinities. The project, playfully adapting Goethe’s artistic-scientific theory of attractions to the practice of exhibiting experimental cinema, is presented in person by filmmaker Kevin Jerome Everson and curator Greg de Cuir Jr, who serve as co-curators. Eight programs of international works of film and video art are arranged along various thematic lines that correspond to their shared interests and concerns.