Tags: Pat O'Neill

Pat O'Neill

Pat O'Neill (b. 1939 in Los Angeles, California) is an experimental film-maker who has worked as well in commercial cinema. His expertise include the area of Direction, Cinematography, Production, Editing, Visual Effects, Special Effects and the Animation Department.

Nationality: 

United States

Tagged content

  • Independent Frames: Shape and Structure

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    Object Conversation (Paul Glabicki, 1985)

    While structural film was the dominant form within the avant-garde tradition at the dawn of the 1970s, animators used shape and structure in a variety of ways that differentiated their works. Robert Russett composed geometric patterns and colour sequences in complex rhythms to create his pulsing, abstract films. Paul Glabicki created incisive, analytical works that explored objects through image, language, form and movement, drafting stunningly complicated sequences by hand.

    Dates: 

    Saturday, February 18, 2017 - 14:30 to 16:30

    Venue: 

    Tate Modern - London , United Kingdom

  • Troubling the Image: Works by Pat O'Neill

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    Trouble in the Image (Pat O'Neill, 1996)

    Since the 1960s, acclaimed experimental filmmaker Pat O’Neill has explored the visual complexities of moving images on screen, first through his mastery of the optical printer and more recently through digital tools. This program presents exemplary works of each. One of O’Neill’s final works on celluloid, the 35mm Trouble in the Image (1996) is a moving image artist’s book that hints and nudges towards rich connections and associations.

    Dates: 

    Friday, February 10, 2017 - 19:00 to Saturday, February 11, 2017 - 18:55

    Venue: 

    Logan Center for the Arts - Chicago, United States

  • Scratch Projection: Notre Dame (des Anges)

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    Muscle Beach (Joseph Strick, 1948)

    From the City of Angels to the City of Light, the filmmaker/programmer/film restorer Mark Toscano offers us in this program recently restored copies of Los Angeles artists' films.

    The avant-garde cinematographic movement of Los Angeles has been for decades little studied and shown in comparison to the other two major US avant-garde centers New York and San Francisco. The city of Los Angeles has howver witnessed an extremely varied production and that has been the origin of a particularly influential culture of experimental film.

    Dates: 

    Tuesday, October 4, 2016 - 20:30

    Venue: 

    Studio des Ursulines - Paris, France

  • Screening night: Kate McCabe #195

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    Horizontal Boundaries (Pat O'Neill, 2008)

    American filmmaker Kate McCabe will come to Spektrum to present some films that have been highly influental for her own work.

    Originally from Philadelphia Kate McCabe studied Experimental Animation at CalArts, where she now is assistant of legendary US-american filmmaker Pat O'Neill. Since 1995 McCabe's films have travelled the globe and she finally managed to find some time to come to Berlin. When not making books or chasing lightning storms with her camera, Kate works on her sketch comic 'Mojave Weather Diaries'. She says "When I work with film, I play with light and time, rhythm and shadow."

    Dates: 

    Wednesday, September 7, 2016 - 20:30

    Venue: 

    SPEKTRUM - Berlin, Alemania

  • Plastic Realities: Films By Suzan Pitt and Pat O'Neill

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    Trouble in the Image (Pat O’Neill, 1996)

    With the artists in person.

    Artistic contemporaries and longtime friends, Suzan Pitt and Pat O’Neill have each created large and diverse bodies of work in a wide variety of mediums, though none perhaps more visibly than in film. The Academy is proud to host these two visionary artists in person with a program of their radical and visually stunning short films, newly preserved by the Academy Film Archive.

    Dates: 

    Thursday, August 25, 2016 - 19:30

    Venue: 

    Pickford Center For Motion Picture Study - Los Angeles, United States

  • Expanded Cinema

    Youngblood G.  1970.  Expanded Cinema. :432pp.

    “The first book to consider video as an art form, was influential in establishing the field of media arts. In the book he argues that a new, expanded cinema is required for a new consciousness. He describes various types of filmmaking utilising new technology, including film special effects, computer art, video art, multi-media environments and holography.” (Wikipedia)

  • DIM Cinema: Almanac (Circa 1970)

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    In 1970, a unique project was commissioned by the Stills Division of the National Film Board of Canada: fifteen West Coast artists -- many of them using a camera for the first time -- were invited to create a series of photographic booklets that were later compiled into an anthology. The B.C. Almanac(h) C-B artists conceived the book as an exhibition, and designed the accompanying exhibition as a 3-D version of the book’s production. To bring to light this forgotten event in the history of West Coast media art, Presentation House Gallery has reprinted the anthology and remounted the exhibition, along with works from the period by artists featured in the book.

    Dates: 

    Monday, November 23, 2015 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canada

  • Millennium Film Journal No. 57 Publication Screening and Celebration

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    Millennium Film Journal No. 57 Publication Screening and Celebration
    Saturday May 4 2013, 20:30h
    Grahame Weinbren Studio
    119 West 22nd Street, 3rd floor, 10011 New York

    A screening to celebrate the publication of Millennium Film Journal No. 57 "Violence in Artists' Cinema"

    The program consists of works featured in MFJ #57:

    - There is a Myth (Catherine Elwes, 1984, 8.5 min)
    - I Am Micro (Shai Heredia & Shumona Goel, 2011, 14 min)
    - Kuíuipo (Noe Kidder, 2013, 15 min)
    - The Mutability of All Things and the Possibility of Changing Some (Anna Marziano, 2011, 16 min)
    - Ojo Calientes (Pat O’Neill, 2012, 4 min)
    - A Movie (Jennifer Proctor, 2010-12, 12 min)
    - TBA, some of Tony Oursler’s videos from the 1970s

    Admission: $14.00 (includes copy of MFJ 57); $8.00 (admission only)

    Category: 

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