Tags: Peter Rose

Peter Rose

Since 1968 Peter Rose has made over thirty films, tapes, performances and installations. Many of the early works raise intriguing questions about the nature of time, space, light, and perception and draw upon Rose's background in mathematics and on the influence of structuralist filmmakers. He subsequently became interested in language as a subject and in video as a medium and generated a substantial body of work that played with the feel and form of sense, concrete texts, political satire, oddball performance, and a kind of intellectual comedy.

Nationality:

United States

Tagged content

Spectrum Between presents: Textual Film

By Marcos Ortega on Mon, 01/12/2025 - 08:17

This 16mm program features four films engaged variously with ideas of "text-as-image." Whereas Chaplin and Murnau once rejected silent era intertitling practices as "unfilmic," these filmmakers explore how text on screen could be just the opposite. Proposing self-consciously literal responses to longstanding scholarly questions about "film language," these conceptual works are as playful and comedic as they are formally rigorous.
Dates:
Saturday, December 6, 2025 - 19:30
Venue:
Special Features - Portland, United States
Machines in the Garden: Ecstatic Landscapes

By Marcos Ortega on Tue, 21/10/2025 - 05:10

Spectrum Between presents…
MACHINES IN THE GARDEN: Ecstatic Landscapes in 16mm

As something of a sequel/companion to our water program, this collection of films showcases a range of different approaches to representing landscapes and natural forms. Filmmakers include Larry Gottheim, Stan Brakhage, Rose Lowder, James Otis, Peter Rose & Nathaniel Dorsky

Tuesday November 11th
NW Portland, OR
Venue: Special Features
Doors at 7:00 PM / Films at 8:00 PM
Dates:
Tuesday, November 11, 2025 - 20:00
Venue:
Special Features - Portland, United States
Experimental Tuesdays: Peter Rose

By Marcos Ortega on Thu, 09/01/2025 - 02:18

Since 1968 Peter Rose has made over forty films, tapes, performances and installations. Many of the early works raise intriguing questions about the nature of time, space, light, and perception and draw upon Rose’s background in mathematics and on the influence of structuralist filmmakers.
Dates:
Tuesday, February 4, 2025 - 17:00
Venue:
UMW Union Cinema - Milwaukee, United States
Cinema of Breath: Rapture/Rupture

By Marcos Ortega on Tue, 21/06/2022 - 14:52

Curated by Kalpana Subramanian
As part of the symposium A Light Footprint in the Cosmos at Simon Fraser University, Vancouver BC, Canada
Dates:
Saturday, June 25, 2022 (All day) to Tuesday, June 28, 2022 (All day)
Venue:
SFU Goldcorp Centre for the Arts - Vancouver, Canada
FILMont Media Project: Hand Made Movies

By Anonymous on Thu, 14/05/2020 - 20:47

The FILMont Media Project is excited to announce its inaugural online screening event and fundraiser for the Media Project's 3D printed PPE production efforts, tomorrow, May 15 at 7pm (EDT). Join us as we screen work produced in our community film workshop, along side a selection hand-crafted cinema from Nicole Baker, Peter Rose, Eric Theise, Quinn Thomashow, and Josh Weissbach.
Dates:
Friday, May 15, 2020 - 19:00 to Saturday, May 16, 2020 - 18:55
Venue:
FILMont Media Project - Philmont, United States
Elegy to Ecstasy with Edith Kramer

By Anonymous on Fri, 05/05/2017 - 04:35

Canyon Cinema travels to Berkeley this week for a special screening of pivotal works from its collection. As a part of Canyon Cinema 50, its celebration of half a century in continuous operation, and together with the Berkeley Art Museum and Pacific Film Archive’s ongoing series Hippie Modernism: Cinema and the Counterculture, 1964-1974, the distributor will co-present Elegy To Ecstasy, an evening of films made by some of the most influential figures in the history of avant-garde cinema.

Dates:
Thursday, May 11, 2017 - 19:00 to Friday, May 12, 2017 - 18:55
Venue:
Berkeley Art Museum and Pacific Film Archive - Berkeley , Estados Unidos
A Roll For Peter in Vancouver

By Anonymous on Thu, 20/04/2017 - 04:38

Iris Film Collective, in collaboration with Dance Troupe Practice is pleased to present “A Roll For Peter”, the touring program of films made in tribute to the late great filmmaker Peter Hutton.

The films come to Vancouver in serendipitous confluence with two screenings as part of the DIM series at The Pacific Cinematheque of Hutton’s work (the second takes place on April 26).

Hutton, an American artist and educator, developed a unique perspective on both urban and remote landscapes through his images from the early 1970’s until his death in 2016.
Dates:
Saturday, April 29, 2017 - 20:00 to Sunday, April 30, 2017 - 19:55
Venue:
Pandora Park - Vancouver, Canada
Independent Frames: Shape and Structure

By Marcos Ortega on Mon, 13/02/2017 - 04:41

While structural film was the dominant form within the avant-garde tradition at the dawn of the 1970s, animators used shape and structure in a variety of ways that differentiated their works. Robert Russett composed geometric patterns and colour sequences in complex rhythms to create his pulsing, abstract films. Paul Glabicki created incisive, analytical works that explored objects through image, language, form and movement, drafting stunningly complicated sequences by hand.
Dates:
Saturday, February 18, 2017 - 14:30 to 16:30
Venue:
Tate Modern - London , Reino Unido
Connectivity Through Cinema with Peter Rose in person

By Marcos Ortega on Tue, 31/05/2016 - 13:23

“Explorations In Dimension: Recent Videos of Peter Rose”

Join us in welcoming artist and filmmaker Peter Rose who will be presenting a program of recent work on video. The Connectivity Through Cinema series will present the work of artists, film-makers and curators who are traveling or presenting special interactive programs in-person. Our hope is to engage the community by showing work with a focus on post-screening discussion.

Dates:
Sunday, June 12, 2016 - 19:30
Venue:
Center for Performance Research - New York, United States
Cineclube: Imagem-Pensamento - Fall 2014

By Ж (kk) . on Wed, 15/10/2014 - 03:15

The diversity of thought with cinema. Thus the text as an image, the relations between image and sound, are part of personal films with an autobiographical dimension. Themes such as the contemporary consumer society, advertising, representation of women and neocolonialism are the focus of several sessions. While others show the film in a situation where celluloid and video speak their differences through the film as sculpture. The issue of the media, placing film and video in different sites, ranging from theater to the gallery, will also be addressed in the sessions. The films will be screened with subtitles in Portuguese and those will be available for filmmakers, and / or distributors.

Dates:
Wednesday, October 15, 2014 - 15:30
Wednesday, October 22, 2014 - 15:30
Wednesday, October 29, 2014 - 15:30
Wednesday, November 5, 2014 - 15:30
Wednesday, November 12, 2014 - 15:30
Wednesday, November 19, 2014 - 15:30
Wednesday, November 26, 2014 - 15:30
Wednesday, December 3, 2014 - 15:30
Wednesday, December 10, 2014 - 15:30
Venue:
B Cúbico - Recife, Brazil