Over more than forty years, Rankin Renwick has produced a collection of films, videos, and installations that hang together as comfortably as hobos around a rail side fire. It's an oeuvre of misfits. The narrative voice bounces from first-person memoir to straight documentary to outright appropriation. It's an oeuvre of opportunism. Renwick’s work often springs from deeply divergent impulses and understandings of beauty; sometimes elegant, often discomfiting, but always penetrating.