Tags: Standish Lawder

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  • Xcèntric: Can you read in the dark?

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    Black and white (and white on black). Five films to be read, together, in the darkness of the screening room. The programme, curated by Enrico Camporesi, is related to this year’s Aula Xcèntric series, dedicated to the use of written and spoken word in experimental cinema.

    Dates: 

    Monday, October 19, 2026 - 19:00

    Venue: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, Spain

  • Standish Lawder and The Cubist Cinema

    Standish Lawder was a film artist and an art historian. This book is an attempt both to appreciate Lawder as an artist and to make his singular achievement as an art historian more available.

    Two essays on his films accompany the complete text of his pioneering study of the European avant-garde of the 1920s, The Cubist Cinema.

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    Average: 1 (1 vote)

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  • Eyewash Books - New ebook collection

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    Paris Expérimental is pleased to announce the release of a new collection of ebooks, edited by Scott Hammen, which make available important texts in the theory and history of experimental film enriched by simultaneous viewing of the works discussed. When a film mentioned in an Eyewash Book is publicly available on-line, direct links to the film are provided in the text.

    Price: $ 10.00 each

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  • OFFoff Cinema: Kort Geknipt & De Andere Film - Robert Nelson and Standish Lawder

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    Bleu Shut

    Kort Geknipt (“Cut Short) – later called De Andere Film (“The Other Film)– was a television programme on Belgian television from 1969 until 1976, which showed new, innovative, international, experimental and marginal productions in order to rebel against dominant mainstream narrative cinema. Art Cinema OFFoff revives this programme in honour of this idiosyncratic programme which never eschewed controversy.

    Dates: 

    Monday, May 21, 2018 - 20:00 to Tuesday, May 22, 2018 - 19:55

    Venue: 

    Sphinx Cinema - Ghent, Belgium

  • DIM Cinema: Canyon Cinema at 50 - Studies in Natural Magic

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    Still from Emily Richardson, Redshift, 2001

    This program of works from San Francisco experimental-film distributor Canyon Cinema, one of DIM’s favourite partners, is curated by David Dinnell, visiting faculty at CalArts and former program director at the Ann Arbor Film Festival.

    Dates: 

    Wednesday, April 11, 2018 - 19:30

    Venue: 

    Pacific Cinémathèque - Vancouver , Canada

  • Independent Frames: Underground Cartoons

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    Quasi at the Quackadero (Sally Cruikshank, 1975)

    Marv Newland’s early counterculture animation Bambi Meets Godzilla stages a brief, irreverent encounter between the two characters, whereas Standish Lawder’s Runaway subjects a short cartoon loop to a series of hypnotic mediations and interventions.

    Dates: 

    Sunday, February 19, 2017 - 17:00 to Monday, February 20, 2017 - 18:55

    Venue: 

    Tate Modern - London , Reino Unido

  • Balagan presents... Mirror Stage

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    Balagan presents... Mirror Stage
    Monday, May 13 2013, 19:30h
    Brattle Theatre
    40 Brattle Street, Cambridge, MA 02138

    Much has been said about what is regarded as the quintessential cinematic experience: the darkened, softened, uterine surroundings, the hypnotic flicker ahead, the lulling whirr from the projection booth. It is a comfortable hiding place from which to observe others\' nightmares and desires. As much as we at Balagan embrace this fancy, we like to break the spell on occasion by channeling an earlier form of cinema, when projected images elicited bewilderment instead of reverie.

    This time, we aim to shatter cinematic illusions by shifting our attention 180° away from the spectacle. As we ponder the screen, the stage and the curtains; as we gaze into the spectators\' faces and observe their body language -- entranced or impatient -- we see a reflection of ourselves. So we enter Lacan's "mirror stage": the anxious moment of catching sight of oneself for the first time and beginning to grasp the reality of one\'s existence.

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  • Treasures IV: American Avant-Garde Film, 1947-1986

    Treasures IV presents works by 27 filmmakers, from Bruce Baillie to Andy Warhol, who changed cinema in the decades following World War II. The line-up reads like a who\'s who of the avant-garde world and includes films by luminaries such as Stan Brakhage

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    Average: 3.2 (5 votes)

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releases experimental film Pablo Mazzolo videoart Cineinfinito CCCB Stan Brakhage Robert Beavers Jonas Mekas Laida Lertxundi call for entries Pablo Marín Ken Jacobs Kenneth Anger Punto de Vista screening Nathaniel Dorsky festival DVD Barbara Hammer Xcèntric interview Phil Solomon (S8) Mostra de Cine Periférico Blitz Sessions
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