Tags: Su Friedrich

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  • Punto de Vista 2024

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    The eighteenth edition of Punto de Vista, the International Documentary Film Festival of Navarra (Pamplona, March 11 to 16), which will bring together 23 films from 15 countries in its official section, will feature several programs dedicated to the work of Su Friedrich and Jerome Hiler.

    Dates: 

    Monday, March 11, 2024 (All day) to Saturday, March 16, 2024 (All day)

    Venue: 

    Baluarte - Pamplona, Spain

  • 13th Annual Experimental Lecture with Su Friedrich

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    Cinema Studies at NYU and NYU-MAURICE KANBAR INSTITUTE OF FILM & TV TISCH SCHOOL OF THE ARTS AT NYU present:
    “How to Eventually Drag Your Private Life, Kicking and Screaming, Into the Public...After Passing a Few Roadblocks”
    Friday, Nov. 3, 2023 7:00 PM
    New York University, 721 Broadway, Room 006
    Free and Open to the Public. RSVP required.

    Dates: 

    Friday, November 3, 2023 - 19:00

    Venue: 

    NYU Tisch Cinema Studies Department - New York, United States

  • Early Monthly Segments #95: Su Friedrich

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    The Tie that Binds (Su Friedrich, 1984)

    In collaboration with our colleagues in the screening collective Vertical Features, Early Monthly Segments is pleased to present two films by Su Friedrich. The Ties That Binds centres on Friedrich’s mother, Lore Bucher, who was born in Ulm, Germany in 1920. With Friedrich’s insistence, Bucher recollects her youth, growing up in Germany during the rise of the Third Reich and speaks about her own attempts to resist in whatever form she could.

    Dates: 

    Tuesday, April 11, 2017 - 20:00 to Wednesday, April 12, 2017 - 19:55

    Venue: 

    Gladstone Hotel - Toronto, Canadá

  • Epical Poems: Friedrich/Carasco

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    Gradiva Esquisse I (Raymonde Carasco, 1978)

    From Experimental to Essay Films #1

    Sink or Swim is a sophisticated poetic ode addressed by Su Friedrich to his father, a linguist who left his family when the filmmaker was a child. Raymonde Carasco formally revisits the myth of Gradiva, causing the pathological symptoms to migrate (in response to Freud's study of the text of the writer Jensen) towards plastic variations in which thought becomes form. Two dissymmetrical approaches of the "essayist cinema" under the sign of the questioning of the fathers (direct for Su Friedrich, linked to the archetypes in Raymonde Carasco).

    Dates: 

    Thursday, December 8, 2016 - 20:00 to Friday, December 9, 2016 - 19:55

    Venue: 

    Cinéma La Clef - Paris, France

  • Rencontres du Cinéma Documentaire 2016

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    Since 1995, the Périphérie association organizes the Rencontres du cinéma documentaire (Meetings of Documentary Cinema), and since 2005 presents each October a one-week long non-competitive festival at the cinema Le Méliès of Montreuil. Open to diverse audiences, the festival brings together heritage films and recent works around a cinematic theme.

    Dates: 

    Thursday, October 6, 2016 (All day) to Saturday, October 8, 2016 (All day)

  • Experimental Cinema: The Film Reader

    Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al..  2002.  Experimental Cinema: The Film Reader. :356pp.

    Contents:

    Introduction: Toward a new history of the experimental cinema

    Part one. Origins of the American avant-garde cinema, 1920-1959.
    - The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
    - Notes on the new American cinema / Jonas Mekas
    - The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
    - Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda

  • A Critical Cinema 2: Interviews with Independent Filmmakers

    "This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins."

    Rating: 

    Average: 2 (1 vote)

    Category: 

    Publisher: 

  • Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson

    Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.

    Rating: 

    Average: 1 (1 vote)

    Category: 

    Publisher: 

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