Brave New World: The Films of Barbara Hammer
April 4-7 2013
TIFF Bell Lightbox
Reitman Square, 350 King Street West, Toronto, Ontario

In recent years, the pioneering experimental filmmaker and lesbian activist Barbara Hammer has been feted with retrospectives at London's Tate Modern, New York's Museum of Modern Art and Paris' Jeu de Paume, amongst others. Brave New World: The Films of Barbara Hammer is a fitting and overdue tribute to an artist who has explored a wide range of styles and subjects over her prolific forty-five-year career.  

Born at the tail end of the Depression to parents heading west to Los Angeles in search of a better life, Hammer is the consummate American pioneer. Her life and films reflect both a peripatetic sense of place (Los Angeles, San Francisco, New York, along with some European jaunts), and also a firm sense of inner discovery and the mastery that comes from a creative adaptation of what one discovers along the way. Through her personal filmmaking, she has always allowed her life-story (told most entertainingly in her recent autobiography, Hammer! Making Movies Out of Sex and Life) to reveal itself in her work. Her films become an artistic record of, among other things, coming out as a lesbian during feminism’s second wave, fighting the politics of acceptance in the eighties and a successful fight against ovarian cancer in the first decade of the 21st Century. From her very first Super 8 psychodramatic self-portraits, to her mid-eighties experiments with the abstract possibilities of the optical printer, to her later documentaries that attempt to trace a queer artistic lineage through the political and artistic turmoil of the early twentieth century, Hammer has displayed a stylistic polyvalence which, combined with her generosity as an artist, teacher and community activist, has influenced generations of students, filmmakers and artists. 

Wavelengths, the avant-garde programme of the Toronto International Film Festival is celebrating its 10th anniversary from September 10 through 13, 2010. Taking place during the opening weekend of TIFF, Wavelengths provides a unique forum for international film and video art within the context of one of the largest public film festivals in the world.

There is no official submission process for Wavelengths, no forms to fill out and no entry fee.
All previews should be sent by May 17th directly to:

Wavelengths, TIFF
Attention: Andréa Picard
2 Carlton St, suite 1600
Toronto, ON M5B 1J3
CANADA
Tel: +1.416.967.7371

Please contact Andréa Picard in advance if you prefer to send a film print for preview. Other than prints, previews will not be returned to the filmmaker unless they are picked up in person or the return shipping is pre-arranged. If you cannot meet the deadline but have works in progress that you wish to have considered, please do not hesitate to be in touch.

Named after Michael Snow’s seminal film Wavelength from 1967, Wavelengths strides to provide a thoughtfully curated platform for avant-garde film and video within one of the busiest and most diverse festivals in the world. Building on its past successes, Wavelengths is presently looking for new works (2009-2010), as well as recent restorations of seminal films from the avant-garde. Programming suggestions and referrals are equally welcome.

For information on last year's edition, please see the following link and attached brochure:
http://www.tiff.net/filmsandschedules/programmes/wavelengths