Experimental filmmaker, queer-feminist researcher, curator, and educator Masha Godovannaya reflects on her artistic practice and its many connections. Bridging New York’s underground — through the diaristic experiments of Jonas Mekas and the queer poetry of Eileen Myles — with the aesthetic resistance of Leningrad/Saint Petersburg, she weaves together legacies of Eisenstein, Kenneth Anger, and Necrorealism.