This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.

Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.