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Jordan Belson is one of the greatest artists of visual music. Belson creates lush vibrant experiences of exquisite color and dynamic abstract phenomena evoking sacred celestial experiences.
The Loop Collective is a group of independent media artists formed in 1996 to develop a public platform integrating experimental film and video with other art forms. We program and produce works for presentation through exhibitions and events in both traditional and non-traditional spaces. Our mission is to explore the roots of experimental film and video by creating a dialogue with other art media. We strive to promote experimental film and video for critical engagement by cultivating relations among different artistic communities. The Loop Collective has presented gallery installations, screenings, and artist talks by renowned figures including Michael Snow, Chris Welsby, Christian Lebrat, Carolee Schneemann, and Jósef Robakowski. Programmes of films by Loop members have screened at venues including The National Film Board of Canada (Toronto), Cinema Parallele (Montreal), Winnipeg Cinematheque, NASCAD (Halifax), Club SAW (Ottawa), The Factory (Hamilton), Leeds International Film Festival (United Kingdom), and the 2010 Canadian Retrospective at EXiS Festival, (Diagonal Film Archive, Seoul).
This epic documentary subtly introduces the complex world view of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka's radical and pioneering body of films is a highly condensed work of about an hour focussing on the essence of cinema, his legendary lectures often unfold over many hours. These lectures on "what is cinema" and "cooking as an art form" are frequently illuminated by the presentation of archaeological objects from Kubelka's eclectic collection. He considers his ongoing collecting to be an expanded film practice which explores the evolution of humanity. Martina Kudlácek has carefully woven an open-ended portrait which goes beyond the biographical to reveal fresh insights into the phenomenon of film.
Jeff Scher is a painter who makes experimental films and an experimental filmmaker who paints. His work is in the permanent collection of the Museum of Modern Art and the Hirshhorn Museum, and has been screened at the Guggenheim Museum, the Pompidou Center in Paris, the San Francisco Museum of Modern Art, and at many film festivals around the world, including opening night at the New York Film Festival. Mr. Scher has also had two solo shows of his paintings, which have also been included in many group shows in New York galleries. Additionally, he has created commissioned work for HBO, HBO Family, PBS, the Sundance Channel and more. Mr. Scher teaches graduate courses at the School of Visual Arts and at NYU Tisch School of the Arts Kanbar Institute of Film & Television's Animation program. He lives in Brooklyn with his wife and two sons.
These images are clearly marked by the use of devices to create them. Winkler may briefly show the unaltered image in the beginning of a film. But inevitably processing will occur, and Winkler’s “low-tech invention pushes the possibilities of comparativel
Directed in 1927 by Germaine DULAC and scripted by Antonin Artaud, The Seashell and the Clergyman is generally considered to be the first Surrealist film: a key element of French cultural heritage. This box set is all the more welcome for the fact that th
The antennae collection is proud to announce the release of the inaugural publication, Dialéctica en suspenso: Argentine Experimental Film and Video, a selection of eighteen works compiled by contemporary Argentine artists and film and video specialists Pablo Marín and Andres Denegri. One of the DVDs exhibits nine films created by different authors whose works were shot and presented on super 8mm and 16mm film. The other DVD contains nine videos created by different authors whose works were produced with a range of mediums (film, and/or other electronic forms) and presented on video. The Box set includes a 230 page bilingual book that presents essays written by the compilators, comprehensive biographical information about the artists and additional content related to Argentine experimental film and video.
Six recent 16mm film works by British artist Emily Richardson.
Emily Richardson’s films explore landscapes and environments to reveal the way that activity, movement and light is inscribed in place. Traversing an extraordinarily diverse range of landscapes including empty East End streets, forests, North Sea oil fields, post-war tower blocks and Cold War military facilities Richardson’s films offer a dazzling deconstruction of place and time. They focus the mind and eye to detail, finding transcendence and emotion in the everyday.
Veteran animator and filmmaker, Steven Woloshen introduces a variety of simple artistic strategies to create decay and to re-assemble damaged film prints into new experimental visions. This book includes a special DVD with nine short films created especially for this do-it-yourself “hands on” manual.
In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933–2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. His movements within San Francisco’s counter-cultural scenes were similarly free-wheeling; at home in beat poetry, punk music, and underground film circles, he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his “retirement.” In this first book-length study of Conner’s enormously influential but insufficiently understood career, Kevin Hatch explores Conner’s work as well as his position on the geographical, cultural, and critical margins.
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