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A fine retrospective of the pioneer of \'direct film\' whose techniques included painting and scratching images directly onto celluloid, using found footage, casting shadows of objects onto unexposed film and experimenting with early colour techniques. A
From the man revered as \'the artist-alchemist of celluloid\', this is an amazing marriage of sound and image. The characters, stuck in an infernal eternity take a staircase that leads to a final luminous irradiation.
Lower East Side film took off using the combat cameras developed during the Second World War, flourished along with the Beats and the New Wave, and culminated in the eighties art scene. The genre has its own pantheon, including the director Jack Smith, th
Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of in
Japan is a stronghold of the experimental film world. The present volume assembles the writings of filmmaker Toshio Matsumoto who led the avant-garde art movement even in the theory practice (in four volumes). This compilation presents new discoveries as well as a historical records of the artistic struggle.
Un recueil de textes de chercheurs, d'artistes et de critiques explorant les relations que la filmographie de Morgan Fisher entretient avec les nombreux autres domaines de création de l'artiste et cinéaste américain.
A pioneer of cinema, Germaine Dulac (1882-1942) is one of the major figures of the 1920s French Avant-Garde. Hugely influential, she founded and directed numerous organisations and, in parallel, was a tireless activist in the defense of women’s rights.
Whether he is working in the so-called documentary or so-called fictional mode, with 16mm, 35mm or high-8-video: for Pilz the central issue is our perception and the film or video is a disposition, a condition for the temporal and spatial organization of
With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transferral
A quaint and grandiose series of short reportage Volks stöhnende Knochenschau produced in 1980 by video artists from the inner and outer circle of the Medienwerkstatt Wien, a time shift into another world.
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