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Tan sólo el empeño de unos pocos y su pasión por el mundo explica que el cine experimental tenga en España manifestaciones extraordinarias, a pesar de las adversidades que ha conocido, en su producción, distribución y hasta hace bien poco, para ser considerado en el ámbito artístico.
“Ottimismo Democratico" (Democratic Optimism) is a video-itinerary of short films by Flavia Mastrella and Antonio Rezza created and produced between 1990 and 1999. A constant feature is the presence of Antonio Rezza 's tragic-catastrophic figure and (hypnotic) voice. The events tell of a culture in decadence.
For more than 25 years Jon Behrens has worked completely outside of the mainstream conception of what filmmaking is , He began to make films as a teenager in the late seventies, starting out with his Grandfathers Wollensak regular 8mm camera and then mo
Messages collects the personal and lyrical films of Guy Sherwin, one of the pre-eminent British film artists of the past forty years. The DVD features one of Sherwin’s major film works ‘Messages’ (1981-4) a meditation on childhood and language inspired by the work of Swiss psychologist Jean Piaget and Sherwin’s experience of his own daughter’s development.
Select short, experimental films from around the world that were featured in Experiments in Cinema V5.1 film festival. Note that all proceeds will be invested in ensuring the success of next year's festival.
Starting in the early sixties, Fluxus followed in the footsteps of the Futurist and Dada avant-gardes, going against the established grain of Fine Art and Official Art. Fluxus‚ an interdisciplinary aesthetic brings together influences as diverse as Zen, Science and daily life, and puts them to poetic use. Initially received as little more than an international network of pranksters, the playful artists of Fluxus were, and remain, a network of radical visionaries who sought to reconcile art with life.
Moving to New York in 1978, filmmaker Henry Hills formed a strong alliance with the Downtown improvisers and the “Language” poets, guiding his film work toward a rhythmic, multilayered world filled with unpredictable changes and a striking improvisational
Ghosts! Cine-recordings of the vivacious doings of persons long dead. Preservation of their memory ceases at the edges of the frame. One face passes "behind" another on the two-dimensional screen. Seven infinitely complex cine-tapestries indicate a narrat
Film director Boris Lehman returns, after 44 years, to Lausanne, where he was born in 1944, at the end of the war. He only lived there one year. His parents were Jews who had sought refuge in Belgium when the Nazis seized power in Poland. Forced to flee f
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