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Ghosts! Cine-recordings of the vivacious doings of persons long dead. Preservation of their memory ceases at the edges of the frame. One face passes "behind" another on the two-dimensional screen. Seven infinitely complex cine-tapestries indicate a narrat
Film director Boris Lehman returns, after 44 years, to Lausanne, where he was born in 1944, at the end of the war. He only lived there one year. His parents were Jews who had sought refuge in Belgium when the Nazis seized power in Poland. Forced to flee f
Vital Signals is a survey of the vibrant, interdisciplinary video art scene in Japan in the 1960s and '70s. Produced by EAI, the DVD anthology features sixteen works by fifteen Japanese artists, among them key figures such as Takahiko Iimura, Mako Idemits
Third release in the edition of Baillie's film works. This volume contains the newly restored version of Quick Billy (1970)
Canadian Filmmakers Distribution Centre (CFMDC) and Cinémathèque québécoise are proud to announce the launch of the Joyce Wieland DVD Box Set. Considered one of Canada’s most respected women artists, Joyce Wieland has an acclaimed international reputation for a unique and impressive body of films spanning three decades, from the early sixties through to the mid-eighties.
L'œuvre filmique d'Abigail Child, d'une rare densité, constitue un point de repère incontournable dans le cinéma expérimental des années 1980. Ses films recourent aux stratégies du found footage, de l'art de l'appropriation, de la Language Poetry, ainsi q
The seventeen nominated and awarded films at the 2011 edition of Punto y Raya Festival
All of these work deal somewhat with a fake factor. Part Time Heroes handles the star concept, in a larger than life way; Running Sushi refers to comics and manga. Burning Palace, on the other hand, is based on The Art of Seduction. (...) For the human body to remain interesting, one must constantly put it in a different light or in another context. One has to look at the body sideways. With this, one achieves a large choreographic change in perspective, because everything is altered. In another context, one also experiences the body in a new way, already because you view it differently.
The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years ago. Story of my Hair is a journey, both in space and in time. Anyone looking for truths, whether geographical, scientific or historical, will be disappointed. After looking at real events and real places the film very soon distances itself from them, preferring poetry and fiction. In his own fashion the auteur has combined the story of Samson and Delilah, the journey of those condemned to the death camps, the science of hair and a few thoughts about the meaning and fragility of life.
James Lowne's Our Relationships will become Radiant, invites us to experience a digital dream, a suffocating demonic landscape where a horse runs without moving, a man vomits black bile, a plate of food oozes with it own sense of purpose, whilst a godlike visage hovers beneficently in the sky. Such uncanny occurence allow Lowne to map out a space of oblique anomie, a world were ephemeral gestures attain meaning only by being endlessly repeated.
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