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  • Avant-Garde Film: Forms, Themes and Passions

    Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film. It covers the developments of experimental filmmaking since the modernist explosion in the 1920s in Europe through to the Soviet film experiments, the American Underground cinema, the French New Wave, structuralism and contemporary gallery work of the young British artists.

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  • The British Avant-garde Film: 1926-95 - An Anthology of Writings

    The book draws together writings by film-makers, theorists, critics and curators who over the past 70 years have been engaged with film not only as a form of art practice, but also as a subservice means of representing British society itself, and as a per

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  • Video art

    Rush\'s comprehensive volume gamely attempts to fill that void. Engagingly written, exhaustively researched and filled with hundreds of images of video works and installations, the book combines a trenchant historical overview with a more focused thematic

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  • American Magus - Harry Smith - A Modern Alchemist

    The films, paintings, and recordings of Harry Smith (1923-91) pay tribute to his genius. Filmmaking, painting, anthropology, musicology, and the occult?his knowledge of each was encyclopedic and firsthand. As might befit a man of such varied interests, his circles of friends were large and, for the most part, wholly independent. This work demonstrates how differently Smith appeared to friends from each circle, offering personal recollections that present a multidimensional, largely contradictory picture of the man.

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  • A Line Of Sight: American Avant-Garde Film Since 1965

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  • Andy Warhol: Films and Paintings : The Factory Years

    In 1961 a fashionable commercial artist named Andy Warhol created an artistic furor in New York with his deadpan versions of the Campbells Soup can. Since then he has become the most talked about but least understood artist of the late 20th century.

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  • Subjects and Sequences: A Margaret Tait Reader

    Subjects and Sequences gathers together new essays on Orcadian film-poet Margaret Tait\'s work, interviews, reprints of key poems, a story and texts as well as detailed filmography, chronology, bibliography and resources.

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  • Think of the Self Speaking: Harry Smith, Selected Interviews

    This collection of interviews spans Harry Smith\'s long and influential life in American arts and letters. They cover a quarter-century, touching on the full range of Smith\'s activity as a groundbreaking experimental filmmaker, obsessive collector, folk

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  • Art in Cinema: Documents Toward a History of the Film Society

    "From 1946 until 1954, the San Francisco-based film society Art in Cinema presented programs of independent film to audiences at the San Francisco Museum of Art and the University of California, Berkeley. Led by filmmaker Frank Stauffacher, Art in Cinema's programs pioneered the promotion of avant-garde cinema in America.

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  • A Critical Cinema: Interviews with Independent Filmmakers

    Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.

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    36 USD

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