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  • Jennifer Reeves: When It Was Blue - Selected Works 1992-2022

    “No doubt the fragile stuff of film, made newly strange in an age of immaterial electronic images, encourages the contemplation of change and chance, birth and death; such notions are registered through utterly physical means by Reeves in the fractal cracks of distressed pigment that adorn some of her hand-edited frames, or the tidal flows of thick, opalescent paint, sometimes dotted with stellar bubbles of captured air, that wash across other moments.”
    — Ed Halter, Artforum

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    22,90 EUR

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  • Maya Deren & the American Avant Garde

    Regarded as one of the founders of the postwar American independent cinema, the legendary Maya Deren was a poet, photographer, ethnographer, filmmaker and impresario. Her efforts to promote an independent cinema have inspired filmmakers for over 50 years.

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  • Video Art: A Guided Tour

    This book is an essential and highly entertaining guide to video art and its history. Elwes, herself a pioneer of early video, traces the story from the weighty Portapak equipment of the \'60s and \'70s to today\'s digital technology, from early experimen

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  • A History of Video Art: The Development of Form and Function

    Video Art is a critical introduction and guide to artists' video in both Europe and North America. It covers the period from the early 1960s -- when video art first appeared as a distinctive medium -- into the 1990s, when digital technology merged video's

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  • A History of Artists\' Film and Video in Britain 1897-2004

    In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers.

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  • Experimental Cinema: A Fifty-Year Evolution

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  • Allegories of Cinema: American Film in the Sixties

    From Stan Brakhage and Andy Warhol to the underground cinema and political films, David James gives a thorough account of the growth, development, and decay of nonstudio film practices in the United States between the late fifties and the mid-seventies. Unlike other scholars who discuss these practices as totally separate from Hollywood, James argues that they were developed in various kinds of dialogue or negotiation with the commercial film industry.

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  • The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles

    Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States.

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    38,95 USD

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  • To Free the Cinema: Jonas Mekas & the New York Underground

    The essays collected here discuss his films, including the underground classics Walden and The Brig ; his founding and longtime editorship of the influential avant-garde journal Film Culture ; and his widely read column in The Village Voice .

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  • Stan Brakhage: Filmmaker

    Stan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and t

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