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  • Alternative Projections: Experimental Film in Los Angeles, 1945-1980

    Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a ground-breaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern California’s School of Cinematic Arts, together with newly-commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. The resulting diverse and multi-voiced collection is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas.

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    40 USD

  • Le temps des images: Malcolm Le Grice

    Reference work devoted to the avant-garde filmmaker, emblematic figure of the British experimental cinema, with twenty texts by Malcolm Le Grice and new essays by Yann Beauvais and Philippe Langlois on his film and its relationship with art and music.

    Published following the eponymous exhibition at the Espace multimédia Gantner, Bourogne in 2011-2012

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    34 EUR

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  • Un-dependently Yours: Imagining a World Beyond the Red Carpet

    Film festivals have had varied and complex histories starting with Benito Mussolini's invention of the form in Venice in 1932. Since then (and too often) festivals are thought of in terms of Hollywood's film industry. This text is a celebration of all things un-dependently cinematic. The essays contained in this volume explore the cultural value of alternative film festivals from a wide range of perspectives and experiences. 

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    15 USD

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  • Film as Corporeal Exposition - On Spin/Verso/Contour

    Swiss artist Hannes Schüpbach has been working with cinematographic elements since 1990; the conceptual connections between his spatially extended works and his films were highlighted in his solo exhibition Stills and Movies at Kunsthalle Basel in 2009. This publication accompanies screenings of his film trilogy Spin/Verso/Contour at Centre Pompidou, Kunsthalle Wien, and Arsenal, Berlin, among other venues.

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    19 EUR

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  • Anthony McCall: Notebooks and Conversations

    Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), this publication features facsimile reproductions of pages from McCall's extensive archive of notebooks, which are supported by production scores and installation photographs. It was formed out of a series of discussions that took place over the last decade between McCall and the artists Graham Ellard and Stephen Johnstone.

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    40 GBP

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  • John Porter's CineScenes: Documentary Portraits of Alternative Film Scenes, Toronto and Beyond, 1978-2015

    John Porter’s CineScenes is the first volume to spotlight Toronto native John Porter’s legendary photographs of alternative film culture – its “celebrities,” places, and rituals – taken across a span of nearly 40 years. This soft-cover, 144-page book features over 200 beautifully reproduced b&w and colour photos by Porter, and includes essays by Scott MacDonald, Nicole Gingras, Dot Tuer, and Tess Takahashi.

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    35 CAD

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  • Tony Conrad: Two Degrees of Separation

    A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

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    12 EUR

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  • Hanan al-Cinema: Affections for the Moving Image

    In this book, Laura Marks examines one of the world’s most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works’ creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention.

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    Hardcover - 30 USD
    Ebook - 21 USD

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  • Between Categories: The Films of Margaret Tait: Portraits, Poetry, Sound and Place

    Between Categories: The Films of Margaret Tait: Portraits, Poetry, Sound and Place

    Margaret Tait – filmmaker, photographer, poet, painter, essayist and short story writer – is one of the UK’s most unique and remarkable filmmakers. She was the first female filmmaker to create a feature-length film in Scotland (Blue Black Permanent, 1992). Although for most of her career Tait remained focused on the goal of making a feature-length film, her most notable and groundbreaking work was arguably as a producer of short films.

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    32 GBP

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  • The Flaherty: Decades in the Cause of Independent Cinema

    This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history.

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    41 USD

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