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The life of an extraordinary New Zealander told for the first time. A charismatic personality Lye was a major New Zealand artist and a leading figure in international modernism who lived in London and New York but always retained a South Pacific energy an
Views from Lookout Mountain is the first book to survey the films and visual art works of one of Los Angeles' most exceptional artists.
A History of Swedish Experimental Film Culture: From Early Animation to Video Art is the first scholarly book to be published on the history of Swedish experimental film. It represents the result of a research project funded by the Swedish Research Counci
En el contexto de los nuevos medias y la cultura del remix, ubicado en un paisaje esculpido por los procesos de participación e interactividad, intermedialidad e interdisciplinariedad, hiperrealidad y realidad ampliada, surge el VJing como dispositivo dir
American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."
Foreword: Zdenka Badovinac; Preface: Bojana Piškur, Ana Janevski, Jurij Meden, Stevan Vuković; A Brief Introduction to Slovenian Experimental Film: Jurij Meden, Bojana Piškur; Notes on Paradigms in Experimental Film in Socialist Yugoslavia: Stevan Vuković
Andy Warhol, one of the twentieth century's major visual artists, was a prolific filmmaker who made hundreds of films, many of them--Sleep, Empire, Blow Job, The Chelsea Girls, and Blue Movie--seminal but misunderstood contributions to the history of American cinema. In the first comprehensive study of Warhol's films, J.J. Murphy provides a detailed survey and analysis. He discusses Warhol's early films, sound portraits, involvement with multimedia (including The Velvet Underground), and sexploitation films, as well as the more commercial works he produced for Paul Morrissey in the late 1960s and early 1970s. Murphy's close readings of the films illuminate Warhol's brilliant collaborations with writers, performers, other artists, and filmmakers. The book further demonstrates how Warhol's use of the camera transformed the events being filmed and how his own unique brand of psychodrama created dramatic tension within the works.
Glorious catastrophe presents a detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989. Dominic Johnson argues that Smith's work offers critical strategies for rethinking art's histories after 1960. Heralded by peers as well as later generations of artists, Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years.
Sabine Folie and Susanne Titz, edited for the Generali Foundation, Vienna and Museum Abteiberg, Mönchengladbach 2012.
With introductions by Sabine Folie and Susanne Titz
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