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New Utopia, Light Fracture by Luther Price
Luther Price came to Visual Studies Workshop as a visiting artist in 2017 to give a week-long workshop on hand-made film. Though the workshop ended tumultuously, Price maintained a sporadic and sometimes fraught correspondence with VSW Press editor Tate Shaw. The project was temporarily tabled, and Price died in 2020 at the age of 58.
Precio:
50 USDCategoría:
L’Histoire d’une Histoire du Cinema
Paris, 1976: the Centre Pompidou had not yet opened its doors, yet it was already asserting its ambition to include in its programming artistic practices that had until then remained invisible in museums. It is at this moment of prefiguration that the exhibition A History of Cinema is being organised. What kind of history is this? In the course of the sessions, an alternative narrative to the dominant cinematographic canons took shape, on the fringes of the industry and auteur cinema.
Precio:
39 EURCategoría:
Ruins and Resilience - The Longevity of Experimental Film
Karel Doing is an experimental filmmaker and researcher who has worked across the globe with fellow artists and filmmakers, creating a body of work that is difficult to pinpoint with a simple catchphrase. In Ruins and Resilience he weaves autobiographical elements and critical reviews together with his wide ranging interdisciplinary approach, reflecting on his own practice by positioning key works within the context of a vibrant experimental film scene in Europe, North and South America, and Asia.
Precio:
31,51 GBPCategoría:
Los pasadizos secretos - Apuntes sobre animación experimental
Norman McLaren dijo que «la animación no es el arte de los dibujos que se mueven, sino el arte de los movimientos que se dibujan. Lo que pasa entre cada fotograma es mucho más importante que lo que hay en cada fotograma». ¿Qué veríamos, pues, si pudiéramos parar el tiempo entre fotograma y fotograma? ¿Cómo se manipulan estos intersticios invisibles, esta otra dimensión paralela a las imágenes?
Precio:
10 EURCategoría:
Double Vision: The Cinema of Robert Beavers
Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers's dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today's most significant living filmmakers.
Precio:
39.95 USDCategoría:
Temporal Territories: An Anthology on Indigenous Experimental Cinema
COUSIN Collective and Light Industry present the first critical anthology devoted to Indigenous experimental cinema. Temporal Territories brings together newly commissioned pieces alongside reprints of key writings on the subject, featuring theoretical interventions and artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the book surveys a varied and vital body of work, and suggests new forms still to come.
Precio:
25 USDCategoría:
When the Eye Trembles: The Cinema of Paolo Gioli
Light Cone Editions presents an anthology of texts by Jean-Michel Bouhours on Paolo Gioli, in a bilingual edition (French and English), introduced by a preface by Georges Didi-Huberman.
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26,90 EURCategoría:
Distant Voices
A new publication by Stereo Editions featuring two extensive interviews with Annik Leroy and Julie Morel.
Precio:
17 EURCategoría:
William Raban's Nautical Twilight
This book explores the practice of artist filmmaker William Raban from 1970 to the present. The trajectory from his early experimental, landscape and expanded cinema works of the 1970s leads into more recent films on the River Thames and London; his techniques are examined and engagingly explained to attract a wide readership including both experts and those with little knowledge of the subject.
Precio:
Ebook - 47 EURHardcover - 58 EURCategoría:
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