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  • Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde

    In spite of the difficulty of most American avant-garde films, one can read volumes and find almost no mention of how to view these films. Dreams of Chaos, Visions of Order addresses precisely this question: how—and to what extent—can viewers make sense of American avant-garde films? It is a controversial book that examines the implicit assumptions of traditional scholarship, advocates on alternative to dominant approaches to the avant-garde cinema, and questions some long-standing clichés about the history of the avant-garde.

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  • Lovers of Cinema: The First American Film Avant-Garde, 1919-1945

    Lovers of Cinema: The First American Film Avant-Garde, 19191945 is indeed a book that the conscientious film scholar cannot afford to be without. . . . This volume signals the beginning of a new era in the discussion of the early American avant-garde.Whee

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  • Shadows, Specters, Shards: Making History in Avant-Garde Cinema

    Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and

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  • John Smith: Film and Video Works, 1972-2002

    A monograph on the film-maker John Smith. Smith\'s unique visual and literary vocabulary has developed through some forty films, videos and installations.

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  • Movie Journal

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  • Diverse Practices: A Critical Reader on British Video Art

    The past three decades have seen the rapid and vibrant growth of video art in Britain, but there has been little detailed analysis or critical recognition of this work. This book attempts to redress this imbalance by bringing together a collection of essa

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  • Death 24 X A Second

    In Death 24 x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image a

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  • Points of Resistance: Women, Power & Politics in the New York Av

    Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema.Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how ea

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  • Experimental Cinema in the Digital Age

    Malcolm Le Grice, a pioneer of \"structural film\" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays.

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  • Two films by Owen Land

    "TWO FILMS BY OWEN LAND features the illustrated scripts to the films Wide Angle Saxon and On the Marriage Broker Joke, complete with detailed footnotes that untangle their elaborate web of references. Reaching far beyond the two films alluded to in the title, it also includes a new interview, annotated filmography and recent essays by the artist.

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